Feb. 3, 2026
Show 94: GenX Rock Hidden Treasures with DJ Hollywood on 99.1FM KLBP Long Beach, CA
Join Hollywood, on 99.1 FM KLBP Long Beach, CA Monday nights at 9pm, in his scavenger hunt to unearth GenX Rock Hidden Treasures from Classic Rock and Metal artists, as well as newer bands emulating that hard and heavy 70s, 80s and 90s sound. Enjoy 1 hour of deep cuts by Black Label Society, Babylon A.D., Ozzy Osbourne, Yngwie Malmsteen, The End Machine, Judas Priest, Y&T, Warlock, Megadeth and Pantera.
Listen LIVE every Monday Night at 9pm (Pacific) on 99.1 FM KLBP Long Beach, CA or check out past episodes on the web at GetTheFluffOutPodcast.com or all other major podcast platforms.
Fair Use Disclaimer: This show may use some copyrighted materials without specific authorization of the owner, but contents used here falls under the “Fair Use Copyright Disclaimer” under section 107 of the Copyright Act of 1976. Allowance is made for “fair use” for criticism, comment, news reporting, teaching, scholarship, and research. This show is non-profit and for entertainment purposes only and is therefore not monetized. We are simply music fans who are using the vehicle of this show to provide FREE promotion of the music included and we insist on FAIR USE.
Intro and Outro music: “A Bit Of Evil” by our band Forced Entry from 1988; copywritten by Hollywood and Dirty Jim
Website: https://www.getthefluffoutpodcast.com/
Email: Hollywood@klbp.org
GenX Rock Hidden Treasures 99.1 FM KLBP playlist on Spotify: Spotify Playlist for GenX Rock Hidden Treasures
Listen LIVE every Monday Night at 9pm (Pacific) on 99.1 FM KLBP Long Beach, CA or check out past episodes on the web at GetTheFluffOutPodcast.com or all other major podcast platforms.
Fair Use Disclaimer: This show may use some copyrighted materials without specific authorization of the owner, but contents used here falls under the “Fair Use Copyright Disclaimer” under section 107 of the Copyright Act of 1976. Allowance is made for “fair use” for criticism, comment, news reporting, teaching, scholarship, and research. This show is non-profit and for entertainment purposes only and is therefore not monetized. We are simply music fans who are using the vehicle of this show to provide FREE promotion of the music included and we insist on FAIR USE.
Intro and Outro music: “A Bit Of Evil” by our band Forced Entry from 1988; copywritten by Hollywood and Dirty Jim
Website: https://www.getthefluffoutpodcast.com/
Email: Hollywood@klbp.org
GenX Rock Hidden Treasures 99.1 FM KLBP playlist on Spotify: Spotify Playlist for GenX Rock Hidden Treasures
WEBVTT
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This is ninety nine point one FM KOBP broadcasting in
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the heart of beautiful Long Beach, California, and you're listening
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to gen X Rock Hidden Treasures with DJ Hollywood. My
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name is Hollywood and I am your host and tour
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guide in our rock and scavenger hunt. It's time to
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dig in.
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I don't know who you are, but what I do
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have are a very particular set of skills. Skills I've
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acquired her for a very long career. I'm a musical genius.
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A rock and roll radio station.
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Right.
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If we hear some tunes, it rocks, man.
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That's right.
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What's going on? Scavengers. My name is Hollywood, and thank
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you for joining me in our scavenger hunt to unearth
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gen x rock hidden treasures from classic rock and metal
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artists as well as newer bands emulating that hard and
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heavy seventies, eighties, and nineties sound. You can hear this
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show along with listeners in over one hundred and fourteen countries,
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live every Monday night at nine pm on ninety nine
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point one FM KLBP in the Long Beach, California area,
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or you can go ahead and download the KLBP app
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for Android and iOS to hear the live stream, and
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if you miss the live radio show, it's okay. You
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can check out all past shows online at KLBP dot org,
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or you can go to my website www dot Get
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the fluffoutpodcast dot com, or just do a Google search
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for gen X Rock Hidden Treasures and you can find
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the on demand archived radio shows on a podcast platform
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available in your country. So I have a great show
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lined up for you tonight featuring new music from the
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End Machine as well as killer tracks by Black Label Society,
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Babylon Ad, Ozzy Osbourne, We're an Ingveay, Momstein, Judas Priest,
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Wyan t Warlock, Megadeath, and Pantera. All right, scavengers, let's
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find those tracks in the stacks of wax. That gets
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our gen X blood pumping, Because for those of us
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that live and breathe hard rock and heavy metal, we
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live in a world today that musically stands apart from us.
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We have hip hop, top forty pop and dancy type
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music ruling the airwaves, and essentially we've been imprisoned, and
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this music has imprisoned those of us who just cannot
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resonate with the establishment. But there are pockets of resistance
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throughout the Internet, on podcasts, and on college and public radio,
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and this show gen X Rock Hidden Treasures is part
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of that rebellion. So please allow me to shower you
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with glorious hard rock and metal music that will provide
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a soothing oasis to your soul and set you free.
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This battle time, shadow of.
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A dam all that ways.
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A band and your.
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Regressing, Ta my.
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Barb with me, A world weird.
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Nothing, Romance's Day, the Press, Nice, the Mother of Joe,
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Dagging guy all all abandoning your egress and dancy, Ta my.
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Mob with me, A world.
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Word s.
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O. You're listening to gen X Rock Hidden Treasures with
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DJ Hollywood on ninety nine point one f M KLBP,
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Long Beach, California. And that was a song called set
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You Free by Black Label Society, taken off of the
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eleventh album entitled Zoom Crew Incorporated, released in twenty twenty one.
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Now one thing is for sure, Zach Wilde. This guy
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is a super talented dude. I mean he's a phenomenal guitarist.
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He plays piano, he sings, he has his own line
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of guitars and amplifiers. He's acted in several movies. And
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TV shows, and he has his own hot sauce for
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God's sakes, called Berserker hot sauce. But here's a bit
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of wisdom from Hollywood regarding hot sauce. Whatever goes in
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hot comes out hot.
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Fire.
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Rocking you on the beach.
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This is KLBP.
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Every time you licked my hand a heart big and
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the chicken warts of file start to.
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Dance, burning with.
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The chills, tears like.
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The birch, the best time of your eyes.
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She turned to busy all.
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I was an out.
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I can't call you win out.
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I ride.
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Sutting damn sweet blue bell.
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I just skip one taste of the.
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Hall bangle the bells, y'all teams have big comss mad
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By Halter, time long lights and ships with sail the
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night half down to the Bisney shows.
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I'm a brud batist, got what I want, run around
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on the.
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Wheelslope talking to me about I just like love.
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I can't call you when I am right here, just sup.
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Then asleep roun ban. I just skip one place to get.
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Bangle bads.
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Long wheels out his bando.
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You gonna get out to day that. I just can
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like bangled without I can't without.
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I would.
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Just saddam thing blue man.
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I just would look at.
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Bad bads, look at thine. I know that day.
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To stand light to stan Lie, to sturn b B
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B back the House, House.
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B back House.
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My name is Hollywood, and thank you for joining me
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in our scavenger hunt to unearth gen x rock hidden
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treasures from classic rock and metal artists as well as
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newer bands emulating that hard and heavy seventies, eighties and
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nineties sound. And that was a track called Bango the
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Bells by Babylon Ad, taking off of their self titled
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debut from nineteen eighty nine. And I know that was
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a classic Babylon Ad track that we all saw regularly
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on MTV on Headbanger's Ball back in the day, but
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it is a song that is rarely played on commercial
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rock radio today. In fact, I do have to play
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some kind of familiar tracks every now and then between
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the super deep cuts and new tracks in order to
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appease those who also enjoy hearing something relatively familiar. You're
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listening to deep cuts and rarely played songs that deserve
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to be heard. On ninety nine point one f M KLBP.
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Waiting for Goddess Why doesn't godes.
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Deafened by side? Why doesn't baby? I'm waiting for tact.
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But that's.
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The sunlight, hasn't it?
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I know what the.
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Fuck?
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What did docers? I wait to the trackers?
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I want backers.
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I went to the trackers.
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Camember and they do that.
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I know what.
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It's but spend me from the.
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Waiting for God. You gotta be save, you gotta believe it.
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So well, wait to go do this. I just got
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to say, why doctors is out to I wasn't look as.
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I wasn't stops, I wasn't look. Dost not take.
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Amazing?
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Don't ask me quest.
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Jas watch.
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Watch watt.
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Don't get.
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You want to take on a guess.
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I want to take bok.
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Guess. I'm wa tagus.
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I want to take what I want to take what.
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I want to take? What wait takes?
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I'm waiting to look.
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This is KLBP, Long Beach, California, where you could tune
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into all of our shows at ninety nine point one
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on your FM dial in the Long Beach area or
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on the web at KALBP dot org. Or you can
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download the KLBP app and if you click on the
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podcast link in the upper right of the website. You'll
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see all of our radio hosts on each of our shows,
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including my own podcast called the Get the Fluff Out
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Podcast co hosted by myself along with Dirty Jim, with
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over one hundred and fifty episodes and radio shows over
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the last five years. And that was a track called
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Waiting for Darkness by Ozzy Osbourne, taking off of his
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album Bark at the Moon, released in nineteen eighty three. Now,
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Bark at the Moon was the very first Ozzy album
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after the death of Randy Rhodes, and it featured Jacky
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Lee as the new guitarist. Now, this album, it certainly
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has a few standout songs, with the title track Bark
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at the Moon rock and roll rebel, and of course
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I like this song waiting for Darkness, otherwise I wouldn't
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have played it now. Even though Bob Daisley wrote most
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of the lyrics to the songs on this album, as
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he did on the first two Ozzy albums, something was
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it just seemed off with the songwriting and the music.
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To me, the guitars are buried low in the mix,
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deep in reverb hell, and then the synthesizers and keyboards
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were just too high. In the mix, and when I
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listened to the album now from beginning to end, it
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to me it's still definitely nostalgic personally now with the
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exception of a few tracks, though it's a far cry
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from Blizzard of Oz and Diary of a Madman. This
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is gen x rock, hidden treasures, playing those rarely heard
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so barns that deserves to be heard.
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The craft is.
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Nowhere, surrounding ways.
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Sail where Grinson and not return.
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Nowhere again from time to time start to us a
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long Scott's gonna e stats and ships.
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We're the crazy little ship.
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He's going to get anything.
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This is KLBP ninety nine point one FM, Long Beach, California,
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where every Monday night at nine pm you can hear
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hard and heavy rock and metal deep cuts like you've
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been hearing tonight. And that was a track called on
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the Run Again by Ingvey Molmsteam, taking off of his
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second album, Marching Out, which was released back in nineteen
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eighty five. And this song on the Run is a
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remake of a song called Victim of the City, which
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was written back in nineteen eighty three by Momsteam's earlier
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band Steeler. And that's actually how I came to know
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of Ingvey Momsta as a guitarist for that band called Steeler,
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which had Ron Keel on lead vocals, and I thought
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Ingvey was amazing. Then I heard he was in another
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band called Alcatraz with Graham Bonne on lead vocals for
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the album No Parole for Rock and Roll. And both
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those albums by Steeler and Alcatraz were actually released within
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one month of each other back in nineteen eighty three.
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And then in nineteen eighty four, Ingvey released his first
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solo album, Rising Force, and it completely blew me away.
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I loved it, and in my mind he is the
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one that truly opened the floodgates for neo classical shred
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guitar In the nineteen eighties, Time for a brand new
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track from the End Machine called Killer of the Night
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Right here on ninety nine point one fm CA by.
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Trotting frizer Jee sat my fast, get the store the fast.
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I'm getting seas Grapty.
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Trying to fat the monster.
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Killing me with fire?
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Who is not man? Having straight to getting?
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Say, oh just getting?
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Who will stand by a California.
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Grow right?
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Who the rules?
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Christ wore? I feel the thing the team. Then those
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guys faded and gray. There's a foot of no winter.
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Just don't less than me tole there is this willis
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kateball me.
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Why I'm trying to smile, try to lay.
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Who space.
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It's getting see it's getting.
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A stand five.
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Not better franag all the clock.
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It's time.
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Fewun't want to please my soul?
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Now do surround her?
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So it was randing side side.
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Come too, I'm to fo way to let me. I
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don't know will the want of.
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What that ahead of me?
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I'll keep on.
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Fight, catting up.
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Up save as surrounding cell rob the.
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Count.
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My name is Hollywood and you're listening to gen X
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