Sept. 30, 2025

Show 76: GenX Rock Hidden Treasures with DJ Hollywood on 99.1FM KLBP Long Beach, CA

Show 76: GenX Rock Hidden Treasures with DJ Hollywood on 99.1FM KLBP Long Beach, CA
Join Hollywood, on 99.1 FM KLBP Long Beach, CA Monday nights at 9pm, in his scavenger hunt to unearth GenX Rock Hidden Treasures from Classic Rock and Metal artists, as well as newer bands emulating that hard and heavy 70s and 80s sound. Enjoy 1 hour of deep cuts by KISS, Volbeat, Judas Priest, Killswitch Engage, Krokus, Metal Church, Black Sabbath, Elegant Weapons, and Exodus. Listen LIVE every Monday Night at 9pm (Pacific) on 99.1 FM KLBP Long Beach, CA or check out past episodes on the web at KLBP.ORG or GetTheFluffOutPodcast.com or all other major podcast platforms.

Fair Use Disclaimer: This show may use some copyrighted materials without specific authorization of the owner, but contents used here falls under the “Fair Use Copyright Disclaimer” under section 107 of the Copyright Act of 1976. Allowance is made for “fair use” for criticism, comment, news reporting, teaching, scholarship, and research. This show is non-profit and for entertainment purposes only and is therefore not monetized. We are simply music fans who are using the vehicle of this show to provide FREE promotion of the music included and we insist on FAIR USE.

Intro and Outro music: “A Bit Of Evil” by our band Forced Entry from 1988; copywritten by Hollywood and Dirty Jim

Website: https://www.getthefluffoutpodcast.com/

Email: GenXRockHiddenTreasures@gmail.com 

GenX Rock Hidden Treasures 99.1 FM KLBP playlist on Spotify: Spotify Playlist for GenX Rock Hidden Treasures
WEBVTT

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This is ninety nine point one FM KOBP broadcasting in

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the heart of beautiful Long Beach, California, and you're listening

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to gen X Rock Hidden Treasures with DJ Hollywood. My

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name is Hollywood and I am your host and tour

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guide in our rock and scavenger hunt. It's time to

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dig in.

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I don't know who you are, but what I do

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have are a very particular set of skills.

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Skills I've acquired her for a very long career.

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I'm a musical genius, a rock and roll radio station. Right.

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If we hear some tunes, it rocks, man.

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That's right.

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What's up?

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Scavengers.

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My name is Hollywood, and thank you for joining me

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in our scavenger hunt to unearth gen X rock hidden

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treasures from classic rock and middle artists, as well as

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new bands emulating that hard and heavy seventies and eighties sound.

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You can hear this show along with listeners in over

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one hundred and fourteen countries, live every Monday night at

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nine pm on ninety nine point one FM KOBP in

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the Long Beach, California area, or streaming on our new

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KLBP app that you can find in the app store

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for android and iOS. And if you missed the live

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radio show, don't worry about It's okay. You can go

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and check out all past shows online at KOBP dot

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org or www dot get the fluffoutpodcast dot com, or

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just do a Google search for gen X Rock Hidden

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Treasures and you could find the on demand radio shows

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on a podcast platform available in your country. So I

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want to talk to all of you about the state

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of the hard rock and heavy metal genre in general. Now,

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do you guys know when was the last time an

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actual hard rock single each number one on the mainstream

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Billboard one hundred chart in the US. Now, the Billboard

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Top one hundred is the chart that mixes all music

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genres together, so it really is the best to use

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when figuring out what the general public is listening to.

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So the last time an actual hard rock single reached

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number one on the mainstream Billboard one hundred chart in

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the US was and I'm not talking about alternative rock

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or indie rock or anything like that. I'm talking about

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a band with crunchy, distorted guitars. Believe it or not,

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It was the song how You Remind Me by Nickelback,

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which reached number one on the mainstream Billboard one hundred

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chart in two thousand and two. That's it, and since

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then in the mainstream, rock and especially hard rock and

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heavy metal have been totally underground. Well, then I did

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a general Google search and asked this question why is

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hard rock music not as popular now? And the answer

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that the AI generated algorithm spit out was this quote

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primarily because of the rise of other genres like hip

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hop and pop, which have become more dominant in mainstream culture,

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coupled with the changing tastes of younger generations, the shift

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in radio programming towards more accessible formats, and the difficulty

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for new hard rock bands to gain traction in the

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current music landscape. Essentially, the genre has aged out of

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the mainstream while newer styles have taken over. End quote.

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So with that said, there are a bunch of younger

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hard rock metal bands from all over the world that

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would love a chance for their band to be played

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on the radio. But if traditional commercial radio won't play

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these great hard rock and metal deep cuts and rarely

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play tracks, then as an audience, all of us we

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all have to take a stand and boycott terrestrial radio

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and support public and college radio stations. As well as

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independent internet radio, because those of us broadcasting on these

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type of platforms, we are the ones that have the

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freedom to provide a different and more satisfying musical experience

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versus terrestrial radio. All right, scavengers, let's find those tracks

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from the stacks of wax that gets our gen X

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blood pumping. Because after decades of listening to the same

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songs over and over and over on commercial radio, I

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no longer listen to my local rock radio stations. Essentially,

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I've had enough.

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How the top and then it's a willard sat too

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longer by saying that about why then then come by change.

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Time got so lost it's gonna get some thinking them

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one stamping up back top and look at this time?

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How many time to get in a moment, Little gods.

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Tell me, don't take something out, but.

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You'll know it will not.

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Spring. Gona take the chicken and break the joint for

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the poor is no longer it's going up, and I

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know the bar the bottle thing, don't go ting me

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do the bart jumping toping?

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We back, just don't you the bottle nothing?

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And don't the ting and.

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Mans a bottle jumping toping?

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Well back it to It's sen is Home Bad, that's.

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Out of bread rock at the so what dish?

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You're listening to gen X Rock Hidden Treasures with DJ

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Hollywood and ninety nine point one FM KLBP, Long Beach, California.

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And that was a track called I've Had Enough by Kiss,

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taking off of their twelfth album Animalize, released in nineteen

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eighty four. Now, when I first heard this leadoff track

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back in nineteen eighty four, I nearly crap my pants.

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I couldn't believe that this was Kiss because I'm listening

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to this super distorted, fast tremolo riff and ripping lead guitar,

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and I said, this can't be Kiss until I heard

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that signature voice of Paul Stanley. And for me, I

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was originally a seventies Kiss fan since nineteen seventy six,

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but by nineteen eighty four, I'd become a full on

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metal head, listening to Sabbath Priest, Ozzy Dio, Queensrake, Metallica,

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anything heavily distorted, and this was not the Kiss that

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I grew up with, but I loved it. And this

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is the only album to feature lead guitarist Mark Saint John.

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But by the time I saw a Kiss live in

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concert on November twenty fourth, nineteen eighty four, at the

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New Haven Coliseum in Connecticut. Bruce Cullick had taken over

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the lead guitar spot from Mark Saint John was fired

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up next on Jack's Rock Hidden Treasures. We have a

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track by legendary Danish band vole Beat. This is the

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new KLBP playing the deep cut that deserve to be heard.

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Try to do away this Metalli.

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The trauma.

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Away They went to fire Tony modified.

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Enough, sad town.

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Up there, up siding funer casser, A dog gone on

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the side, always spread you see on the.

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Blood spell, I still be.

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The heart Stehamo was not going over there now, Stiple

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do so out the feller sun out the worst walking

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out for sale, spelling hemans talking stair first mover did

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I see even tell me amos here in my way.

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I've been enough topside down, the.

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Bread, the trolling, the line room, up the upsided funner.

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I feel a dog for the side, always play.

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See a spell.

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I still be.

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I'm finding no more being a fall.

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Of free shall showing the time. I ain't a they

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to repeating story, so I think not. I find with

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nothing to do I'm going away there.

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A fuming metallity cats.

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Right uner time. I'm for stolen, but.

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Buntling all the way.

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I went to fire me to fight her.

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I was a fortified.

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I better not do sid Town Preemie for telling the

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lie room fighting under Cassi a dog for the sideways spread.

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See a lib until.

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My name is Hollywood, and thank you for joining me

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on my scavenger hunt on Earth. SA next rocking and

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treasures from classic rock and metal artists as well as

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newer bands emulating that hard and heavy seventies and eighties sound.

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That was a track called wild Rover of Hell by

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the band Vulbeat, taking off of their third album entitled

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Guitar Gangsters and Cadillac Blood, released in two thousand and eight,

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and in my opinion, Volbeat is one of the most

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unique and coolest metal fusion bands in the last twenty

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five years. And I'm sure there are others out there,

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but I love how Volbeat can effectively mix heavy metal

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with rockabilly and punk and still and still have great

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melodic hooks. That's the thing. And in this song, my

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favorite line is where he says, driving the highway with

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nothing to do, future fading away, the stereo pumping Metallica tunes,

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Ride the Lightning, Oh yeah, oh, I love that stuff,

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and you can tell that Michael Paulson, who is the

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founding member and lead singer and guitarist, he derives his

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influence from Metallica to Slayer, Elvis Presley, the Johnny Cash

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of the Ramones, to Motorhead, amongst others, and in the

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end Volby. They just put out great rock and tunes.

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You're listening to ninety nine point one f M K LBP.

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Bounding the world like batting, vaulting, the fantasy of the

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final ram slam.

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Shut up, the.

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Draped construction of the seconds of love.

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Samboling handles, streaming muscles, fights, shackfoing, blows, rushing brown beat

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and rice.

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I start the skating and as all my sa ingles.

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Lasting in the candons.

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Of tory which man love deserve, the usignystroms.

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The one tming nation that's always some sason to grain

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down the trap and a bree.

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That good from the badst the age for the rage

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of the stops, which must fall to the just and

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be free.

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Now break for the bangles, trample and sampot of this space.

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Tendation, puff of demolition to warring and.

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Sliding, corsive subsiding and with the wings who seem no.

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Dream feels bad, founding the world like a battery round.

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Paulching the furnace of the final.

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Glass swam noting the way up the saw soon the castle,

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Mico dreaming the train of destruction in the seconds of.

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This is KLBP, Long Beach, California, where you could tune

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into all of our shows at ninety nine point one

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on your FM dial in the Long Beach area or

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on our new KLBP app or on the web at

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KALBP dot org. And if you click on the podcast

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link in the upper right of the website, you'll see

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all of our radio hosts and each of our shows,

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including my own podcast called the Get the Fluff Up Podcast,

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co hosted by myself along with Dirty Jim, with over

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one hundred and fifty episodes and shows over the last

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five years. Now, that was a song called Rapid Fire

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by Judas Priest, taking off of their sixth album British Steel,

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which was released in nineteen eighty and in my teens

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and all throughout high school and after, I was the

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heavy metal DJ at all the keg parties in the

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woods or someone's backyard or at the parking lot of

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the mall wherever, So no one knew what music I

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would be playing after whatever album or band was playing.

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So then I remember each time that I put this

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cassette into my boombox. As soon as everyone heard the

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opening crunchy riff and those pounding drums, they knew the

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opening lyric pounding the world like a bat to ring ram,

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and everyone's fist would just involuntarily clench. What a great

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line to kind of visualize the aggression of metal music

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and what great memories we had from back in the day.

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Here's a brand new track from the upcoming kill Switch

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and Gage album. This is called I Believe on the

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new KLBP playing the tracks that deserve to be heard,

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show about the science.

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To start.

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Stopper, my DearS that run on and R.

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Side most time.

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I'm on just down time Joe to make a.

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Man the south stalls.

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Tell night Stop, said Bist smile, saying this dark times,

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keeping the f by, there is a side my face

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discover same sins to sails, fun to spire.

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No matter what this will will to you, do not

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clim and.

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Face virtue, feel that got you that go of the pace.

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You can't con by side that night. Damn busy rag

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by burns their due. Welcome you want we.

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Show the d John.

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Show a shop, say sound bag ing New York stag

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stop not bags watches side say.

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JOm Astra nothing lost.

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I work.

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This is kob p ninety nine point one f M

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Long Beach where every Monday night at nine pm you

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can hear hard and heavy rock and metal deep cuts

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like you've been hearing tonight. And that was a track

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called I Believe by kill Switch Engage from their upcoming

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ninth studio album entitled This Consequence, to be released on

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February twenty first, twenty twenty five. And generally, I do

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not like metalcore scream o type bands that use harsh

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screaming throughout the entire song with no sense of vocal melody.

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It's to me, it's just screaming for the sake of screaming.

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And as you guys are ready now, I'm I'm a

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fan of traditional, clean heavy metal vocals where I can

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understand the lyrics and sing along like with Rob Halford,

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Ronnie James Dio, Jeff Tay, Bruce Dickinson, d Snyder, you

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know vocalists like that. But with that said, this new

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kill Switch engaged song with Jesse Leach on vocals is

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really good and most of the song has his raspy vocals,

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with only a little bit of scream oh there in

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the bridge and towards the end of the song. But

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overall this is a melodically heavy track. Time for a

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band that early on in their career in the late

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seventies and early eighties, they were accused of being an

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ac DC ripoff band. So see if you can guess

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which band. This is broadcasting from Shannon's Corner at Broadway

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and Pine in downtown Long Beach. This is a ninety

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nine point one FM KLBP.

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You know about sixteen flos and the legs A time

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long sign mean tonight, John Solic, We do we need

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a drive, We need a rabbi.

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The nice You're gonna stand up, You're gonna.

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Sat, You're dries to night longstas.

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To night lost does.

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Too nice?

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Long step go to guys, lobstep does the time is

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r rd tonight to be with you, I miss the fight,

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I stick this time withhing next stay weird. Listen where

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Gonna live? Where not gonna take out? Where the gonna play?

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That You're gonna stay?

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Ye yet.

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Lost Bounces, Lost Buns, Lost Bounce, two Days Lost.

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My name is Hollywood and you're listening to ninety nine

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point one FM, the new KLBP Long Beach, California, playing

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00:31:47.759 --> 00:31:50.519
those rarely heard songs that deserve to be heard. And

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00:31:50.640 --> 00:31:53.359
that was a track called long Stick Goes Boom by

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Crocus from their sixth album entitled One Vice at a Time,

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released in nineteen and after the ac DC esque intro,

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when the band goes into the main guitar riff, it

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sounds a little like the chorus for Love Hungry Man

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on the album Highway to Hell and this band, Crocus

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was like the Swiss version of ac DC. But you

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know what, I loved it. I absolutely love the high pitched,

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gravelly vocals by Mark Staraci and the rhythm and lead

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guitar sound. To me, it's just it's so satisfying. I

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don't care that it sounds like ac DC. To me,

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this is just great rock and roll.

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John fool King.

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Crowned Out, carry don yat Dafty from Bounding Way, How.

290
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Say I Burn Jobs?

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Rison go, it's away, got to battery your crowd down

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to your day.

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Don't need anything. We're gonna be out nd I don't.

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Even do that's not th yard open three.

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Friends need no man's water. You may god, I'm God

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on you.

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Sho not many busy waiting.

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Drove me some drink, right they did me. I will

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eat mine trying drawn shoppy anything would showing up beat us.

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I don't hear him stop.

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Read open.

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Through fun.

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I mean I s a.

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Human fame.

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Meter.

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Now he's water.

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I have.

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00:35:14.599 --> 00:35:21.119
Human, I have five men. Now he's water.

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00:35:36.800 --> 00:35:41.400
Throw the po the features hurry in the breath.

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That's a freak of the button.

311
00:35:45.880 --> 00:36:13.960
Denominated don't need any they were come up beat up.

312
00:36:15.480 --> 00:36:20.440
I don't hear I do that, dying up Halloween woods

313
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three brown, don't need anything?

314
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Come up beat up. I don't hear him dog that

315
00:36:29.400 --> 00:36:32.400
not dying out all open.

316
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Woods three hot fine brown.

317
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Either nomads wander.

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00:37:01.000 --> 00:37:11.480
By five at about they're out and the water.

319
00:38:03.719 --> 00:38:06.280
Bang in your head like it's the nineteen eighties. But

320
00:38:06.440 --> 00:38:10.679
feeling the pain because even bending down to put on

321
00:38:10.800 --> 00:38:15.400
your socks in the morning as a hassle. That was

322
00:38:15.480 --> 00:38:20.079
a track called me the nothing by Metal Church, taking

323
00:38:20.159 --> 00:38:25.000
off of their thirteenth album called Congregation of Annihilation, released

324
00:38:25.039 --> 00:38:27.599
in twenty twenty three. And the first time that I

325
00:38:27.719 --> 00:38:30.239
saw Metal Church and concert was at the Agora Ballroom

326
00:38:30.320 --> 00:38:34.119
in West Hartford, Connecticut, opening up for Metallica on November thirtieth,

327
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nineteen eighty six, which was only two months after the

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00:38:37.119 --> 00:38:40.960
death of Cliff Burton. And then I saw Metallica Metal

329
00:38:41.039 --> 00:38:45.199
Church only seven months later on June fourth, nineteen eighty seven,

330
00:38:45.679 --> 00:38:49.360
opening up for Anthrax at the same place. And concerts

331
00:38:49.440 --> 00:38:52.079
back then were just so much fun when we were

332
00:38:52.159 --> 00:38:57.000
young and we were just seemingly invincible. Fast forward thirty

333
00:38:57.079 --> 00:39:01.119
seven years. I recently saw Metal Church, which again at

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00:39:01.159 --> 00:39:03.400
the Whiskey of Go Go on the Sunset Strip on

335
00:39:03.519 --> 00:39:07.320
September twenty fourth, twenty twenty three, on this Congregation of

336
00:39:07.320 --> 00:39:10.159
Annihilation tour, and it was an amazing show with the

337
00:39:10.239 --> 00:39:14.400
new vocalist Mark Lopes, and they played this song Me

338
00:39:14.760 --> 00:39:18.320
the Nothing, which is absolutely a track that I love

339
00:39:18.440 --> 00:39:21.880
for so many reasons. But the melodic structure of the

340
00:39:21.960 --> 00:39:27.480
guitar progression to me is fantastically satisfying, and Mark Lopes

341
00:39:27.599 --> 00:39:31.639
his killer vocals are the closest and raspy tonality to

342
00:39:31.760 --> 00:39:36.039
the original lead singer David Wayne Up Next, I'm playing

343
00:39:36.079 --> 00:39:40.719
some Black Sabbath fronted by Ronnie James Dio. Why because

344
00:39:41.039 --> 00:39:46.119
I'm keeping it metal on gen X Rock Hidden Treasures.

345
00:39:59.400 --> 00:40:01.360
In the the morning.

346
00:40:02.719 --> 00:40:08.199
On the act of time, we lost the rising sun

347
00:40:09.119 --> 00:40:19.719
funds at the misty morning, rolls away to time, reaching

348
00:40:20.039 --> 00:40:22.760
for all the storm, were blind the sky?

349
00:40:32.159 --> 00:40:44.960
Were we sail across the before we learn to side.

350
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With?

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Not that it to.

352
00:40:53.280 --> 00:40:58.119
We blind above the ground, before we learned to ride

353
00:40:58.400 --> 00:41:07.360
to rod. Now it seems a world of comander. Who

354
00:41:07.679 --> 00:41:16.639
they say they'll get you tend to be.

355
00:41:21.320 --> 00:41:24.000
This sen that all.

356
00:41:27.639 --> 00:41:30.480
We are little children of the scene.

357
00:41:51.079 --> 00:41:55.760
We made the mountains, we lived the everybody.

358
00:41:57.719 --> 00:42:00.840
I didn't need a corder out the world.

359
00:42:04.400 --> 00:42:08.159
Then we be in the demon days and rough children

360
00:42:08.320 --> 00:42:12.559
evermore true man the chief?

361
00:42:13.079 --> 00:42:14.400
And not then?

362
00:42:18.360 --> 00:42:19.320
Who this is?

363
00:42:20.639 --> 00:42:20.800
There?

364
00:42:20.960 --> 00:42:27.639
No way? And did you have to be?

365
00:42:32.039 --> 00:42:32.400
Is this.

366
00:42:34.159 --> 00:43:50.559
That's all? We're not children of the sea in the

367
00:43:50.760 --> 00:44:00.159
misty money to time we watched the rising sun the

368
00:44:00.360 --> 00:44:06.199
fun side, not the misty money.

369
00:44:07.719 --> 00:44:12.760
Rolled away to die, reaching for the stuff.

370
00:44:13.079 --> 00:44:14.639
With the saying the sky.

371
00:44:18.559 --> 00:44:19.079
All this.

372
00:44:20.639 --> 00:44:32.639
Even and did you have to be all this?

373
00:44:32.920 --> 00:44:34.480
See the.

374
00:44:38.920 --> 00:44:41.320
All those Children of the.

375
00:44:41.480 --> 00:44:58.159
Sea stuck out. The sky is falling, look out, the

376
00:44:58.360 --> 00:44:59.400
world is speed.

377
00:45:16.360 --> 00:45:19.280
You're listening to gen X rock. That's hard and heavy

378
00:45:19.559 --> 00:45:22.679
on ninety nine point one FM KLBP. And that was

379
00:45:22.719 --> 00:45:26.320
a song called Children of the Sea by Black Sabbath,

380
00:45:26.360 --> 00:45:29.039
taking off of their ninth album entitled Heaven and Hell,

381
00:45:29.400 --> 00:45:34.159
released in nineteen eighty And after a chance meeting in

382
00:45:34.320 --> 00:45:37.679
nineteen seventy nine between Ronnie James Dio and Tony Iomi

383
00:45:37.760 --> 00:45:40.239
at the Rainbow Bar and Grill on the Sunset Strip,

384
00:45:40.880 --> 00:45:44.039
Ronnie got together with Tony and then Tony played him

385
00:45:44.119 --> 00:45:48.480
the opening arpeggiated intro to this song. Ronnie loved it

386
00:45:48.519 --> 00:45:50.239
and said, give me a few minutes. I have some

387
00:45:50.400 --> 00:45:54.280
ideas for lyrics, and according to Dio, the lyrics just

388
00:45:54.519 --> 00:45:59.199
easily flowed and Children of the Sea was born and

389
00:45:59.360 --> 00:46:03.519
became the first new Black Sabbath song written by Ronnie

390
00:46:03.599 --> 00:46:07.159
James Dio. And this song, to me, it's just breathtaking.

391
00:46:07.320 --> 00:46:11.159
I love it, from the ballad like intro with Ronnie's

392
00:46:11.360 --> 00:46:16.079
floating vocals, to the raspy vocal attack throughout the verses

393
00:46:16.119 --> 00:46:20.039
and the chorus, to the Gregorian monks chanting in harmony

394
00:46:20.360 --> 00:46:23.800
with the guitar melody in the bridge. Children of the

395
00:46:23.880 --> 00:46:26.960
Sea is just one of my favorite songs on this

396
00:46:27.199 --> 00:46:31.719
landmark album. Let's check out a new band with ties

397
00:46:32.159 --> 00:46:35.719
to the legendary Judas Priest. This is a band called

398
00:46:36.199 --> 00:46:41.280
Elegant Weapons with the song do or Die. You're listening

399
00:46:41.400 --> 00:46:45.239
to ninety nine point one f M the new KLBP.

400
00:47:19.400 --> 00:47:24.960
Careful free intoxication. Now that control fight a fight authority,

401
00:47:25.119 --> 00:47:27.000
our rancum the soul.

402
00:47:27.679 --> 00:47:31.719
Here's some palputations get from life lon apart and.

403
00:47:31.920 --> 00:47:35.639
Micue vaccination showing a right of to the hard.

404
00:47:40.039 --> 00:47:43.480
The separate thinguity.

405
00:47:44.159 --> 00:47:54.280
A dresningbers dependent scarante to or dime, show no way there.

406
00:47:54.559 --> 00:47:57.320
So E the lie Bridges.

407
00:47:57.000 --> 00:48:04.800
Crossed the nine bird to a t B on your unterstick.

408
00:48:06.039 --> 00:48:20.519
To randoling and concentrations sharmaning till top one browning my

409
00:48:20.719 --> 00:48:22.840
asphyxiation taking is.

410
00:48:23.079 --> 00:48:25.800
To screaming by with consummation.

411
00:48:26.159 --> 00:48:30.159
Sonny I sing I was orchestrated for the set up

412
00:48:30.320 --> 00:48:31.639
thing week.

413
00:48:33.559 --> 00:48:35.400
Acious breast.

414
00:48:36.599 --> 00:48:45.320
You from your back, seemulation of last descending through the

415
00:48:45.599 --> 00:48:51.599
cracks to or die, show no way there, Sony, the

416
00:48:52.039 --> 00:48:56.559
lie rig just crossed a non bird to a die

417
00:48:57.519 --> 00:49:00.760
on your own turstick.

418
00:49:12.360 --> 00:49:12.800
To go to.

419
00:50:24.280 --> 00:50:49.760
The bastards say afraid of hounding.

420
00:50:49.559 --> 00:50:51.800
Back, it's not twist a bad.

421
00:50:52.039 --> 00:50:55.920
Resistance to the distal saying sell to that straight.

422
00:50:56.760 --> 00:50:59.360
You needs the shaw here has got to got you.

423
00:50:59.559 --> 00:51:01.719
But how was mast.

424
00:51:12.079 --> 00:51:24.599
Nations the front stimulation one last descending through the cracks

425
00:51:25.639 --> 00:51:31.639
to a time show No way, Sony the lie rig

426
00:51:31.800 --> 00:51:34.039
just crossed ten nine to.

427
00:51:36.119 --> 00:51:38.320
On your Moti.

428
00:52:04.760 --> 00:52:06.960
My name is Hollywood and I'm here every Monday night

429
00:52:07.000 --> 00:52:10.519
at nine pm on ninety nine point one FM KLBP

430
00:52:10.880 --> 00:52:14.480
Long Beach and you're listening to gen X Rock Hidden Treasures.

431
00:52:14.639 --> 00:52:16.760
And that was a track called do or Die by

432
00:52:16.920 --> 00:52:21.679
Elegant Weapons, taking off of their debut album entitled Horns

433
00:52:21.880 --> 00:52:26.719
for a Halo, released in twenty twenty three. Elegant Weapons

434
00:52:26.840 --> 00:52:32.000
features guitarists Richie Faulkner from Judas Priest and vocalist Ronnie Romero,

435
00:52:32.320 --> 00:52:35.079
who was also the lead singer for Richie Blackmore's Rainbow,

436
00:52:35.599 --> 00:52:39.199
Michael Schenker Group, Vandenberg and other projects in addition to

437
00:52:39.280 --> 00:52:42.760
his own solo band, but Elegant Weapons, they've done a

438
00:52:42.880 --> 00:52:45.920
great job of crafting some really cool metal tracks with

439
00:52:45.960 --> 00:52:49.239
the melodic sensibility and if you haven't done so, go

440
00:52:49.360 --> 00:52:52.679
ahead check out their debut album. It's called Horns for

441
00:52:52.800 --> 00:52:56.800
a Halo. Now it's time to get a little deranged,

442
00:52:56.840 --> 00:53:01.199
because honestly, life's getting kind out of control. Roll and

443
00:53:01.320 --> 00:53:03.599
I like salad, like Kennigant out of control.

444
00:53:04.800 --> 00:53:07.039
I think, I don't know if you agree? Would you

445
00:53:07.119 --> 00:53:10.039
have me that? As you know, it's like what it is.

446
00:53:10.880 --> 00:53:12.480
I know you heard the word a thousand times. It's

447
00:53:12.480 --> 00:53:13.000
a rat race.

448
00:53:13.320 --> 00:53:13.519
You know.

449
00:53:13.679 --> 00:53:17.039
I went through the contortion to hell, I have alcoholic seizures,

450
00:53:17.920 --> 00:53:20.079
wind up in the hospital and everything else. Now I'm

451
00:53:20.159 --> 00:53:22.480
sick and I'm shaking like a leap. It was like

452
00:53:22.599 --> 00:53:24.519
silly buddy and they threw him in the car and

453
00:53:24.679 --> 00:53:27.039
beat him in the paddy wagon and beat him to death.

454
00:53:27.320 --> 00:53:29.079
I hit one of those and I knocked the front

455
00:53:29.119 --> 00:53:32.400
wheel off into outer space. And I kind of got

456
00:53:32.480 --> 00:53:36.519
angry myself, and I said, have a lot of guns.

457
00:53:37.559 --> 00:53:40.480
I like salad. I just ate a nice salad baked

458
00:53:40.519 --> 00:53:44.840
potato and some cream cheese and chot. You know, I

459
00:53:45.000 --> 00:53:47.039
just I like to eat a salad. When do you

460
00:53:47.119 --> 00:53:47.920
have something in mind?

461
00:54:13.440 --> 00:54:15.440
When you said someone men alive?

462
00:54:15.679 --> 00:54:18.960
No, no man, stop back, Let me my mother again.

463
00:54:19.159 --> 00:54:20.079
Let me go here.

464
00:54:20.440 --> 00:54:23.360
Why I'm gonna gif you wanna make y got the

465
00:54:23.480 --> 00:54:27.559
body way muster Donne says about day and he did

466
00:54:27.719 --> 00:54:30.679
go the gone to your.

467
00:54:44.880 --> 00:54:47.360
Said the girl. I'm like, yeah, stuck job like you

468
00:54:47.440 --> 00:54:49.960
you gonna be I din say it back. I stuck up.

469
00:54:49.960 --> 00:54:53.000
Don go be sexty that from the back, get ye

470
00:54:53.079 --> 00:54:55.599
white racket the don the Dondy way.

471
00:54:56.079 --> 00:54:59.760
Must done said about Kay then got the goamant to.

472
00:55:00.639 --> 00:55:59.519
But it wasn't me Wow, men tell about.

473
00:56:44.920 --> 00:56:46.840
This is ninety nine point one f M and you're

474
00:56:46.960 --> 00:56:49.840
listening to gen X Rock Hidden Treasures And that was

475
00:56:49.880 --> 00:56:53.280
a track called Deranged by Exodus, taking off of their

476
00:56:53.360 --> 00:56:57.519
second album entitled Pleasures of the Flesh, released in nineteen

477
00:56:57.679 --> 00:57:01.840
eighty seven. And Pleasures of the Flesh is the first

478
00:57:01.920 --> 00:57:06.320
Exodus album to feature Steve Sousa on vocals after Paul

479
00:57:06.400 --> 00:57:10.239
Beayloff was fired from the band. When I myself bought

480
00:57:10.280 --> 00:57:13.119
this album back in nineteen eighty seven, I was so

481
00:57:13.480 --> 00:57:17.239
happy how good the production quality was, especially the sound

482
00:57:17.360 --> 00:57:22.039
of the guitars. I simply loved the massive sound of

483
00:57:22.320 --> 00:57:27.519
crunching chainsaw distorted riffs. But you know what, I'm not

484
00:57:27.639 --> 00:57:31.000
sure what our upcoming DJ on KLBP thinks his name

485
00:57:31.079 --> 00:57:33.519
is Declan. He hosts a show called Noise Noise Noise,

486
00:57:34.159 --> 00:57:38.559
and the vocals of Steve Sousa are super gritty, but

487
00:57:38.639 --> 00:57:42.239
you can still understand what he's singing, which is probably

488
00:57:42.280 --> 00:57:43.480
a deal breaker for Declan.

489
00:57:43.559 --> 00:57:43.960
I don't know.

490
00:57:44.039 --> 00:57:46.880
I mean, he tends to like those songs that he

491
00:57:47.000 --> 00:57:52.000
just can't understand what's being screamed. So anyway, if you

492
00:57:52.079 --> 00:57:54.519
guys wanted to check out all the songs that I've

493
00:57:54.599 --> 00:57:58.000
ever played on gen X Rock Hidden Treasures, just go

494
00:57:58.119 --> 00:58:01.480
ahead and do a Google search and type in gen

495
00:58:01.719 --> 00:58:07.159
x Rock Hidden Treasures Spotify playlist that will take you

496
00:58:07.239 --> 00:58:09.719
to the app or to the website. You can go

497
00:58:09.800 --> 00:58:13.599
ahead and save that playlist to your own library for

498
00:58:14.079 --> 00:58:17.800
future listening. Up next on ninety nine point one FM

499
00:58:17.960 --> 00:58:22.519
KLBP is a show called Noise Noise Noise hosted by Declan,

500
00:58:22.760 --> 00:58:26.079
and he plays a variety of hardcore punk sas core,

501
00:58:26.199 --> 00:58:29.920
scream o, metalcore, death core, and whatever else is noisy

502
00:58:30.000 --> 00:58:33.000
out there. So I want to thank everyone for carving

503
00:58:33.000 --> 00:58:34.920
out some time in your busy schedule to listen to

504
00:58:35.039 --> 00:58:37.599
gen X Rock Hidden Treasures with DJ Hollywood and to

505
00:58:37.639 --> 00:58:41.039
get a little gen X nostalgic with me. Until next time,

506
00:58:41.320 --> 00:58:43.519
treat people the way that you want to be treated,

507
00:58:43.840 --> 00:58:48.480
and always be good humans. This is KOBP ninety nine

508
00:58:48.519 --> 00:58:51.159
point one FM, Long Beach, California.

509
00:58:51.679 --> 00:58:51.800
Let