Sept. 30, 2025
Show 76: GenX Rock Hidden Treasures with DJ Hollywood on 99.1FM KLBP Long Beach, CA

Join Hollywood, on 99.1 FM KLBP Long Beach, CA Monday nights at 9pm, in his scavenger hunt to unearth GenX Rock Hidden Treasures from Classic Rock and Metal artists, as well as newer bands emulating that hard and heavy 70s and 80s sound. Enjoy 1 hour of deep cuts by KISS, Volbeat, Judas Priest, Killswitch Engage, Krokus, Metal Church, Black Sabbath, Elegant Weapons, and Exodus. Listen LIVE every Monday Night at 9pm (Pacific) on 99.1 FM KLBP Long Beach, CA or check out past episodes on the web at KLBP.ORG or GetTheFluffOutPodcast.com or all other major podcast platforms.
Fair Use Disclaimer: This show may use some copyrighted materials without specific authorization of the owner, but contents used here falls under the “Fair Use Copyright Disclaimer” under section 107 of the Copyright Act of 1976. Allowance is made for “fair use” for criticism, comment, news reporting, teaching, scholarship, and research. This show is non-profit and for entertainment purposes only and is therefore not monetized. We are simply music fans who are using the vehicle of this show to provide FREE promotion of the music included and we insist on FAIR USE.
Intro and Outro music: “A Bit Of Evil” by our band Forced Entry from 1988; copywritten by Hollywood and Dirty Jim
Website: https://www.getthefluffoutpodcast.com/
Email: GenXRockHiddenTreasures@gmail.com
GenX Rock Hidden Treasures 99.1 FM KLBP playlist on Spotify: Spotify Playlist for GenX Rock Hidden Treasures
Fair Use Disclaimer: This show may use some copyrighted materials without specific authorization of the owner, but contents used here falls under the “Fair Use Copyright Disclaimer” under section 107 of the Copyright Act of 1976. Allowance is made for “fair use” for criticism, comment, news reporting, teaching, scholarship, and research. This show is non-profit and for entertainment purposes only and is therefore not monetized. We are simply music fans who are using the vehicle of this show to provide FREE promotion of the music included and we insist on FAIR USE.
Intro and Outro music: “A Bit Of Evil” by our band Forced Entry from 1988; copywritten by Hollywood and Dirty Jim
Website: https://www.getthefluffoutpodcast.com/
Email: GenXRockHiddenTreasures@gmail.com
GenX Rock Hidden Treasures 99.1 FM KLBP playlist on Spotify: Spotify Playlist for GenX Rock Hidden Treasures
WEBVTT
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This is ninety nine point one FM KOBP broadcasting in
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the heart of beautiful Long Beach, California, and you're listening
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to gen X Rock Hidden Treasures with DJ Hollywood. My
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name is Hollywood and I am your host and tour
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guide in our rock and scavenger hunt. It's time to
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dig in.
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I don't know who you are, but what I do
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have are a very particular set of skills.
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Skills I've acquired her for a very long career.
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I'm a musical genius, a rock and roll radio station. Right.
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If we hear some tunes, it rocks, man.
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That's right.
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What's up?
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Scavengers.
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My name is Hollywood, and thank you for joining me
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in our scavenger hunt to unearth gen X rock hidden
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treasures from classic rock and middle artists, as well as
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new bands emulating that hard and heavy seventies and eighties sound.
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You can hear this show along with listeners in over
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one hundred and fourteen countries, live every Monday night at
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nine pm on ninety nine point one FM KOBP in
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the Long Beach, California area, or streaming on our new
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KLBP app that you can find in the app store
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for android and iOS. And if you missed the live
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radio show, don't worry about It's okay. You can go
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and check out all past shows online at KOBP dot
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org or www dot get the fluffoutpodcast dot com, or
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just do a Google search for gen X Rock Hidden
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Treasures and you could find the on demand radio shows
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on a podcast platform available in your country. So I
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want to talk to all of you about the state
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of the hard rock and heavy metal genre in general. Now,
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do you guys know when was the last time an
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actual hard rock single each number one on the mainstream
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Billboard one hundred chart in the US. Now, the Billboard
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Top one hundred is the chart that mixes all music
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genres together, so it really is the best to use
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when figuring out what the general public is listening to.
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So the last time an actual hard rock single reached
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number one on the mainstream Billboard one hundred chart in
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the US was and I'm not talking about alternative rock
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or indie rock or anything like that. I'm talking about
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a band with crunchy, distorted guitars. Believe it or not,
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It was the song how You Remind Me by Nickelback,
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which reached number one on the mainstream Billboard one hundred
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chart in two thousand and two. That's it, and since
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then in the mainstream, rock and especially hard rock and
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heavy metal have been totally underground. Well, then I did
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a general Google search and asked this question why is
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hard rock music not as popular now? And the answer
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that the AI generated algorithm spit out was this quote
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primarily because of the rise of other genres like hip
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hop and pop, which have become more dominant in mainstream culture,
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coupled with the changing tastes of younger generations, the shift
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in radio programming towards more accessible formats, and the difficulty
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for new hard rock bands to gain traction in the
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current music landscape. Essentially, the genre has aged out of
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the mainstream while newer styles have taken over. End quote.
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So with that said, there are a bunch of younger
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hard rock metal bands from all over the world that
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would love a chance for their band to be played
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on the radio. But if traditional commercial radio won't play
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these great hard rock and metal deep cuts and rarely
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play tracks, then as an audience, all of us we
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all have to take a stand and boycott terrestrial radio
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and support public and college radio stations. As well as
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independent internet radio, because those of us broadcasting on these
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type of platforms, we are the ones that have the
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freedom to provide a different and more satisfying musical experience
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versus terrestrial radio. All right, scavengers, let's find those tracks
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from the stacks of wax that gets our gen X
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blood pumping. Because after decades of listening to the same
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songs over and over and over on commercial radio, I
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no longer listen to my local rock radio stations. Essentially,
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I've had enough.
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How the top and then it's a willard sat too
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longer by saying that about why then then come by change.
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Time got so lost it's gonna get some thinking them
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one stamping up back top and look at this time?
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How many time to get in a moment, Little gods.
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Tell me, don't take something out, but.
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You'll know it will not.
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Spring. Gona take the chicken and break the joint for
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the poor is no longer it's going up, and I
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know the bar the bottle thing, don't go ting me
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do the bart jumping toping?
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We back, just don't you the bottle nothing?
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And don't the ting and.
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Mans a bottle jumping toping?
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Well back it to It's sen is Home Bad, that's.
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Out of bread rock at the so what dish?
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You're listening to gen X Rock Hidden Treasures with DJ
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Hollywood and ninety nine point one FM KLBP, Long Beach, California.
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And that was a track called I've Had Enough by Kiss,
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taking off of their twelfth album Animalize, released in nineteen
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eighty four. Now, when I first heard this leadoff track
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back in nineteen eighty four, I nearly crap my pants.
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I couldn't believe that this was Kiss because I'm listening
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to this super distorted, fast tremolo riff and ripping lead guitar,
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and I said, this can't be Kiss until I heard
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that signature voice of Paul Stanley. And for me, I
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was originally a seventies Kiss fan since nineteen seventy six,
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but by nineteen eighty four, I'd become a full on
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metal head, listening to Sabbath Priest, Ozzy Dio, Queensrake, Metallica,
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anything heavily distorted, and this was not the Kiss that
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I grew up with, but I loved it. And this
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is the only album to feature lead guitarist Mark Saint John.
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But by the time I saw a Kiss live in
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concert on November twenty fourth, nineteen eighty four, at the
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New Haven Coliseum in Connecticut. Bruce Cullick had taken over
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the lead guitar spot from Mark Saint John was fired
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up next on Jack's Rock Hidden Treasures. We have a
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track by legendary Danish band vole Beat. This is the
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new KLBP playing the deep cut that deserve to be heard.
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Try to do away this Metalli.
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The trauma.
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Away They went to fire Tony modified.
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Enough, sad town.
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Up there, up siding funer casser, A dog gone on
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the side, always spread you see on the.
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Blood spell, I still be.
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The heart Stehamo was not going over there now, Stiple
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do so out the feller sun out the worst walking
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out for sale, spelling hemans talking stair first mover did
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I see even tell me amos here in my way.
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I've been enough topside down, the.
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Bread, the trolling, the line room, up the upsided funner.
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I feel a dog for the side, always play.
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See a spell.
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I still be.
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I'm finding no more being a fall.
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Of free shall showing the time. I ain't a they
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to repeating story, so I think not. I find with
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nothing to do I'm going away there.
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A fuming metallity cats.
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Right uner time. I'm for stolen, but.
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Buntling all the way.
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I went to fire me to fight her.
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I was a fortified.
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I better not do sid Town Preemie for telling the
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lie room fighting under Cassi a dog for the sideways spread.
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See a lib until.
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My name is Hollywood, and thank you for joining me
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on my scavenger hunt on Earth. SA next rocking and
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treasures from classic rock and metal artists as well as
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newer bands emulating that hard and heavy seventies and eighties sound.
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That was a track called wild Rover of Hell by
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the band Vulbeat, taking off of their third album entitled
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Guitar Gangsters and Cadillac Blood, released in two thousand and eight,
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and in my opinion, Volbeat is one of the most
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unique and coolest metal fusion bands in the last twenty
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five years. And I'm sure there are others out there,
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but I love how Volbeat can effectively mix heavy metal
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with rockabilly and punk and still and still have great
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melodic hooks. That's the thing. And in this song, my
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favorite line is where he says, driving the highway with
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nothing to do, future fading away, the stereo pumping Metallica tunes,
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Ride the Lightning, Oh yeah, oh, I love that stuff,
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and you can tell that Michael Paulson, who is the
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founding member and lead singer and guitarist, he derives his
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influence from Metallica to Slayer, Elvis Presley, the Johnny Cash
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of the Ramones, to Motorhead, amongst others, and in the
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end Volby. They just put out great rock and tunes.
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You're listening to ninety nine point one f M K LBP.
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Bounding the world like batting, vaulting, the fantasy of the
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final ram slam.
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Shut up, the.
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Draped construction of the seconds of love.
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Samboling handles, streaming muscles, fights, shackfoing, blows, rushing brown beat
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and rice.
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I start the skating and as all my sa ingles.
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Lasting in the candons.
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Of tory which man love deserve, the usignystroms.
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The one tming nation that's always some sason to grain
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down the trap and a bree.
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That good from the badst the age for the rage
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of the stops, which must fall to the just and
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be free.
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Now break for the bangles, trample and sampot of this space.
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Tendation, puff of demolition to warring and.
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Sliding, corsive subsiding and with the wings who seem no.
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Dream feels bad, founding the world like a battery round.
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Paulching the furnace of the final.
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Glass swam noting the way up the saw soon the castle,
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Mico dreaming the train of destruction in the seconds of.
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This is KLBP, Long Beach, California, where you could tune
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into all of our shows at ninety nine point one
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on your FM dial in the Long Beach area or
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on our new KLBP app or on the web at
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KALBP dot org. And if you click on the podcast
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link in the upper right of the website, you'll see
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all of our radio hosts and each of our shows,
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including my own podcast called the Get the Fluff Up Podcast,
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co hosted by myself along with Dirty Jim, with over
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one hundred and fifty episodes and shows over the last
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five years. Now, that was a song called Rapid Fire
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by Judas Priest, taking off of their sixth album British Steel,
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which was released in nineteen eighty and in my teens
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and all throughout high school and after, I was the
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heavy metal DJ at all the keg parties in the
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woods or someone's backyard or at the parking lot of
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the mall wherever, So no one knew what music I
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would be playing after whatever album or band was playing.
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So then I remember each time that I put this
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cassette into my boombox. As soon as everyone heard the
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opening crunchy riff and those pounding drums, they knew the
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opening lyric pounding the world like a bat to ring ram,
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and everyone's fist would just involuntarily clench. What a great
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line to kind of visualize the aggression of metal music
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and what great memories we had from back in the day.
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Here's a brand new track from the upcoming kill Switch
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and Gage album. This is called I Believe on the
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new KLBP playing the tracks that deserve to be heard,
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show about the science.
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To start.
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Stopper, my DearS that run on and R.
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Side most time.
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I'm on just down time Joe to make a.
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Man the south stalls.
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Tell night Stop, said Bist smile, saying this dark times,
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keeping the f by, there is a side my face
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discover same sins to sails, fun to spire.
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No matter what this will will to you, do not
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clim and.
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Face virtue, feel that got you that go of the pace.
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You can't con by side that night. Damn busy rag
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by burns their due. Welcome you want we.
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Show the d John.
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Show a shop, say sound bag ing New York stag
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stop not bags watches side say.
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JOm Astra nothing lost.
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I work.
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This is kob p ninety nine point one f M
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Long Beach where every Monday night at nine pm you
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can hear hard and heavy rock and metal deep cuts
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like you've been hearing tonight. And that was a track
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called I Believe by kill Switch Engage from their upcoming
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ninth studio album entitled This Consequence, to be released on
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February twenty first, twenty twenty five. And generally, I do
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