Jan. 20, 2026

Show 41: Beyond the Realms of Rock with DJ Vin on 99.1FM KLBP Long Beach, CA

Show 41: Beyond the Realms of Rock with DJ Vin on 99.1FM KLBP Long Beach, CA

Rebroadcast recording of “Beyond the Realms of Rock” with DJ Vin from Monday Jan 19, 2026: Tune in Monday night at 8pm (Pacific) to 99.1 FM KLBP Long Beach, CA or download the KLBP app to listen LIVE. This show features new music by DIOPTER and The Blank Tapes as well as a tribute to Bob Weir of Grateful Dead in addition to ELF, Rodriguez, Blind Melon, Steve Miller Band and Jimi Hendrix. From classic rock to modern rock, yacht rock to metal, new wave and alternative indie rock to classic and modern punk along with a hilarious comedy segment. Listen to all past radio shows on the “Get The Fluff Out Podcast Network” at www.GetTheFluffOutPodcast.com  and most major podcast platforms. Over the next hour, you’ll experience THE craziest and most diverse mix of Rock music on FM radio today! This really is TRUE freeform radio! So buckle up on our freaky rocket ride TO…. Beyond the Realms of Rock!
 
Fair Use Disclaimer: This show may use some copyrighted materials without specific authorization of the owner, but contents used here falls under the “Fair Use Copyright Disclaimer” under section 107 of the Copyright Act of 1976. Allowance is made for “fair use” for criticism, comment, news reporting, teaching, scholarship, and research. This show is non-profit and for entertainment purposes only and is therefore not monetized. We are simply music fans who are using the vehicle of this show to provide FREE promotion of the music included and we insist on FAIR USE.

Email: Hollywood@klbp.org 

WEBVTT

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Coming on one hour of commercial free rock ninety nine

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point one FM, the new KLBP.

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Welcome to Beyond the Realms of Rock. I'm your host,

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DJ Vinn. Come on and hitch a ride on this

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journey to explore the full spectrum of rock music across

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the decades. As this show defies the entrench rules of

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traditional commercial rock radio, I'm telling you it's gonna be

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a roller coaster ride of rock music from the classic

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to the eclectic, from deep album cuts to long forgotten

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hits rarely played on the radio today. In fact, you'll

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never know what to expect on this show because I'll

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play just about anything from classic rock to modern rock,

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yacht rock to metal, classic punk, post punk and modern punk,

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all types of alternative and indie rock, to Americana new wave,

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dark wave, shoegaze, industrial and goth funk rock, and a

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fusion rock. Over the next hour, you'll experience the craziest

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and most diverse mix of rock music on FM radio today.

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This really is true free form radio, So buckle up

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on our freaky rocket ride too Beyond the Realms of Rock.

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My name is DJ Vin and yes I am the

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Vin Man, the Vinmeister, the one who creates vinsane setlists

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that go against the algorithms of traditional commercial rock radio.

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And to all of you listening in Long Beach, California

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and one hundred and seventeen countries around the world, thank

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you for joining me on this eclectic rock show that

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I call Beyond the Realms of Rock.

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Now.

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Normally I play a crazy variety of rock genres that

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you never heard of on some algorithmic streaming playlist, and

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I'm very proud out of that, but recently we did

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have the passing of a legendary musician that influenced so

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many artists and bands that I just had to put

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together a show with similar musical stylings and connectivity in

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some sort of ways, but still enough variety with a

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few newer bands and artists that you may not have

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heard of before. So for today's show, I pay tribute

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to the legendary Bob Weir of Grateful Dead. Now, I'm

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not a Deadhead, nor do I claim to be a massive,

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huge fan of the Grateful Dead. But that's the wonderful

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thing about music. You don't need to be a rabid

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fan of an entire band's catalog to be affected by

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their music. Now, maybe you only resonate with a certain

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phase of their career, or maybe it's just one album,

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or perhaps it's just one song. But the awesome thing

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about music is that it's so powerful that that one

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song could actually change your perspective on life. And maybe

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it's not that dramatic, but maybe that one song just

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simply makes you happy and smile.

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Now, currently I'm reading.

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A book by Mitch Album and it's called The Magic

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Strings of Frankie Presto, And in the opening chapter, music

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is personified and is speaking to us as a collective listener,

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and it says this in a quote, quote, I am

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music at times, I am COI I am also sweet

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and calming and dissonant, and angry and difficult, and simple,

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as soothing, as poored sand, as piercing as a pinprick.

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There is a reason you glance up when you first

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hear a melody, or tap your foot to the sound

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of a drum. All humans are musical. Why else would

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the Lord give you a beating heart?

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End quote?

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And so Bob weird music was certainly encompassed in that passage,

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and to many, his music was beautifully cathartics.

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That's all it did okay, So that down that the river.

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Sweek lossom gamel under the weirdlow.

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We did not hid time to deify.

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We can miss the wonders of nature, the luscious stuff.

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She's gone, she's gone everything there's the wheel without seeing them.

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Then I see.

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She comes giving the rag.

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He's a find.

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She can wait in the drop broth to she don't come,

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I don't follow.

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Waiste back spending where I sing, dear.

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She can dance, cage, jump like a wos a bull,

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ride Jesus, son of love.

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With this strang bob, and then she can make happen

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any minute.

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Sugar magnolia.

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Bringing up, go in sun, go out, saying all out

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here in the.

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Sunshine, Come on, honey, come alonga gue.

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She's got dead.

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She's gone dead to think and reason the fats in

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the sun and a crazy in the.

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Sun, and visit me.

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Sometimes when the cook cook's braver, when the don is.

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Halfway with them.

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Sometimes when the night is done, I take me out

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and I wander around.

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I wander around, snchingdeed, drinking, looking in the door, drink.

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Going ware to leave the.

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Bluming like a redder, no dreaming.

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What us say in all walk in the morning, sunshine,

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the sunshine, dried.

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Sunshine, drear the sunshine, the sunshine, Bedrid.

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What you in the sunshine?

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Sunshine Madrid, What you want in the sunshine?

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Bro Bro bro bro bro Bro b b B broadcasting

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around the world.

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Beyond the Realms of Rock. We play different.

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It's thinking aw, it's getting it back to the road again.

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Head big train right now, pushing the train.

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I'm all again.

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Got get him.

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A leg.

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Still, remember you no got to tell him about it all?

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What's it about having some No, I'm going to leave

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the word it's a gool, but no doubt it for

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me stood.

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As he wants.

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Get him back to me.

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There's an it's about.

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Well, no.

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Sash under and rain.

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Shouldn't the train at a monte again?

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Give me mac SPEs ship.

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No no ship so ship dies, No.

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Ship.

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Sens are.

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The station with the best music, best music.

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I love.

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You're listening to Beyond the Realms of rock on the

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new KLBB. I am the Vin Man, DJ Vin.

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You're listening to Beyond the Realms of Rock on nine

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to nine point one f M KLBP, Long Beach, California,

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and to many fans of our rock and metal.

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That voice is undeniable.

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But for those of you who are scratching your head

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trying to figure out who that lead singer was at

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the last track, it was the late, great and legendary

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Ronnie James Dio when he was in a band called Elf.

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And so that was a song called La fifty nine

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taken off of ELF's second album called Carolina County Ball

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from nineteen seventy four. And before that, we started off

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the set in tribute to the passing of Bob Weir

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with a super famous classic track called Sugar Magnolia, taken

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off of the Dead's fifth album, American Beauty from nineteen seventy. Now,

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even though most people associate Jerry Garcia as the focal

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point of Grateful Dead as lead vocalist and lead guitarist,

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it's Bob Weird that truly complimented Garcia as the co

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founder of the band back in nineteen sixty five and

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co lead vocalist and rhythm guitarist.

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And so I love this track.

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I love that album American Beauty, And my favorite verse

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of this song is where Bob sings this, where he says,

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sweet blossom, come on under the willow. We can have

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high times. If you'll abide, we can discover the wonders

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of nature rolling in the rushes down by the riverside.

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And so I hear those words, and man, it's super nostalgic.

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It takes me back to when I first heard The

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Grateful Dead. I was in sixth grade, nineteen seventy nine,

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and I remember this girl on the school bus in

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middle school. She had one of those tape recorders and

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it was just a you know, the kind of a

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desktop tape recorder with the silver handle that kind of

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slid out and you just pop in a cassette tape.

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And she would come on the bus and she would

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play American Beauty. It was like her favorite album, and

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she would come on she'd be wearing a Grateful Dead sure.

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And this girl, I think she was like in seventh

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or eighth grade. She was older than me. I was

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only in sixth grade, but I'll never forget that. And

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just hearing the music on the bus, I went out

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and I bought the cassette tape for American Beauty. And

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that's kind of my introduction to The Grateful Dead. But

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as we continue with the show, we're gonna play some

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more songs featuring Bob Weir on lead vocals, as well

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as other bands. It's similar in the same styling, whether

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it's psychedelic or the same era, or even a few

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new bands as I mentioned that kind of have a

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similar styling and vibe as well. So coming up next,

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we have a musician and a brilliant lyricist whose first

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two records didn't sell well in the United States, but

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he had no clue for many years that those records

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were major hits in Australia and South Africa, and it

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wasn't until decades later that he was the subject of

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an award winning documentary film called Searching Sugarman. Listen closely

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to the raw poetic lyrics of this track called Crucify

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Your Mind by Rodriguez. This is ninety nine point one

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FM KOBP.

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Was it a huntsman or a player that made you

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pay the costs that now assumes relaxed physicians and prostitutio

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loss where you touch it by your own This in

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those pleasures that you seek that made you Tom the Curious,

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that makes you James the Week, And you claim you

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got something going, something you call unique. But I've seen

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yourself pity show in as the tears rolled down your cheeks.

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Soon you know I'll leave you, and I'll never look behind,

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because I was born for the purpose that crucifies your mind.

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So can convince your mirror as you've always done before,

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giving substance to shadows, giving substance of more, and you

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assume you got something to offer secret shiny and you,

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but how much of you as repetition that she didn't

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whisper to him too.

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I'm tired of hearing the same songs over and over.

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Come on, not again.

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I just heard this song an hour ago.

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Ya play something different, please beyond the realms of rock.

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We play different.

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Well, I was triggering last night to the bicker, and

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I showed him that's it down.

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It's a noose. You like her, She'm like least I

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get to.

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Because when he's charging his chumper, coming down, you're coming

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it hall.

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You'll think that, by contrast, what proper You'll mind I

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stumbling ball, You'll mind I stumbling fall. You'll not to listen?

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Jump in through your boot, my tastey the elegant thush,

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I mean he going the hell of the bucket.

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At least on and chawing the ride at least done and.

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Chose the riding.

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Yeah, least sun and chilling the ride.

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Yeah, I'm not sweeling a sunk up a tender somehow.

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Beny got hard as he can really light let it

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across by senders the chant and the women and her

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l Do we know you to be incarnation the rathers

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captain the great?

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They will know?

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How's your luck? Monation? You see rading scenes, you crave? Yeah,

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see rody scenes and creative.

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You imagine listen, sall been boom taste to be elegant fighting.

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Go in there, helling about the back. The son that

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join the ride, he's telling to join the ride. Yeah,

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he's telling.

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Jaw the ride.

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Realizes the time despires me alive. When I start moving fo,

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they may come and there up, But dad, son, and

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you aren't able to dance. I'll crawl crossing. Are able

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to dance out of crawle to dance our call?

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Yeah, you must think consider the circus. It's just not

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the your one. S. I can't think of the places

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more bird mo meersy. It's perfect.

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It's you.

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It's not a gona leave you wrong. Later, he said,

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wouldn't know where to kill. Well, I know that you

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00:23:07.519 --> 00:23:13.799
think me only when the snakes come on sad when

238
00:23:13.839 --> 00:23:19.240
the snakes come My shit is you're not missing, You're

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00:23:19.319 --> 00:23:26.599
been what as arrogant pot maybe going down about the baby.

240
00:23:28.079 --> 00:23:32.359
At least time to join the ride, least time.

241
00:23:32.279 --> 00:23:33.400
To join the rod.

242
00:23:35.000 --> 00:23:42.279
Ride right, the right right, least time and joined the right, right,

243
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right right fire.

244
00:23:45.960 --> 00:23:47.519
Les time and John the right.

245
00:23:49.160 --> 00:23:51.680
Right ride.

246
00:23:53.039 --> 00:23:54.720
Least tell me join the right.

247
00:23:56.240 --> 00:23:58.640
Right right.

248
00:24:00.160 --> 00:24:01.319
This sun Joe.

249
00:24:15.000 --> 00:24:40.920
Johns rocking you on the Beach ninety nine point one

250
00:24:41.119 --> 00:24:47.200
FM k k K k LBP Welcome back to Beyond

251
00:24:47.240 --> 00:24:49.119
the Realms of Rock. I am the vin Man DJ

252
00:24:49.319 --> 00:24:52.480
Vin on this tribute to the passing of Bob Weir

253
00:24:52.559 --> 00:24:55.279
from Grateful Dead, and that last track was called Helen,

254
00:24:55.319 --> 00:24:59.599
a bucket off of their twelfth album called In the Dark,

255
00:24:59.640 --> 00:25:03.480
which The Dead released in nineteen eighty seven. Now this

256
00:25:03.680 --> 00:25:06.519
is the highest charting Grateful Dead album, reaching number six

257
00:25:06.559 --> 00:25:09.640
on the Billboard Top two hundred chart, and their only

258
00:25:09.799 --> 00:25:13.559
top ten single, with a song Touch of Gray, peaking

259
00:25:13.599 --> 00:25:17.240
at number nine on the Billboard Hot one hundred Singles chart.

260
00:25:17.960 --> 00:25:20.519
And before that, we heard a song called Crucify Your

261
00:25:20.640 --> 00:25:23.240
Mind by Rodriguez and that was taken off of his

262
00:25:23.400 --> 00:25:28.319
debut album called Cold Fact, released in nineteen seventy. Now

263
00:25:28.400 --> 00:25:30.319
to me, I listened to that song, and I listened

264
00:25:30.319 --> 00:25:33.440
to a lot of his songs, and that's just musical

265
00:25:33.559 --> 00:25:38.160
poetry that I believe that a whole generation of Bob

266
00:25:38.240 --> 00:25:42.079
Dylan fans would have appreciated if Rodriguez was signed to

267
00:25:42.160 --> 00:25:45.960
a bigger label and receive better promotion. So go ahead

268
00:25:45.960 --> 00:25:49.599
and make sure to check out the documentary Searching for Sugarman.

269
00:25:50.359 --> 00:25:53.519
It really is. It's a must see for any music fan.

270
00:25:53.640 --> 00:25:57.759
It's that great time now for something new, because on

271
00:25:58.000 --> 00:26:01.240
every show of Beyond the Realms of Rock, I make

272
00:26:01.319 --> 00:26:03.519
sure to play a few brand new tracks from either

273
00:26:03.519 --> 00:26:06.279
an established artist or a brand new band because I

274
00:26:06.640 --> 00:26:09.799
love finding new stuff and sharing it with all of you,

275
00:26:10.440 --> 00:26:14.839
and this week is no exception. So my featured new

276
00:26:15.039 --> 00:26:19.200
artist this week was fortunate enough to see Grateful Dead

277
00:26:19.400 --> 00:26:23.720
live in concert in Charlotte, North Carolina in nineteen ninety five.

278
00:26:23.839 --> 00:26:24.680
It just so happened.

279
00:26:24.720 --> 00:26:29.240
This was six months before Jerry Garcia passed away, and

280
00:26:29.359 --> 00:26:33.319
he said this, it's incredible what the Grateful Dead did

281
00:26:33.559 --> 00:26:36.519
and the impact that they had on a generation of people.

282
00:26:37.599 --> 00:26:40.960
So the Beyond the Realms of rock. New Artists of

283
00:26:41.000 --> 00:26:44.839
the Week goes by the name Diopter, and I asked

284
00:26:44.920 --> 00:26:47.680
him to provide some background in context to his newly

285
00:26:47.759 --> 00:26:53.079
released single This is Diopter and the Los Angeles premiere

286
00:26:53.480 --> 00:26:56.920
on ninety nine point one FM KLBP Long Beach, California

287
00:26:57.240 --> 00:26:59.519
with his new song close.

288
00:26:59.559 --> 00:27:02.720
To the Earlier this year, my wife and I drove

289
00:27:02.759 --> 00:27:06.000
across the country from Charleston to Santa Barbara with our

290
00:27:06.039 --> 00:27:08.920
dog in tow. The vastness of this country is incredible,

291
00:27:09.119 --> 00:27:11.680
but what struck me just as much was what lives

292
00:27:11.880 --> 00:27:15.079
between the big cities and inside them as well, poverty,

293
00:27:15.519 --> 00:27:19.079
people left behind. While we were in California, I spent

294
00:27:19.160 --> 00:27:21.559
a lot of time writing. I had dreams of deserts

295
00:27:21.839 --> 00:27:25.240
and wide empty places, and my thoughts kept returning to

296
00:27:25.319 --> 00:27:28.799
people who've been pushed aside, some by broken economies, others

297
00:27:28.880 --> 00:27:32.400
by living too fast without understanding the cost. We are

298
00:27:32.440 --> 00:27:35.319
all born with hope, but our environment and the choices

299
00:27:35.359 --> 00:27:39.119
available to us shape where we end up. The lyrics

300
00:27:39.160 --> 00:27:41.400
in the chorus of the song say hair on fire,

301
00:27:42.079 --> 00:27:44.640
two fingers in the wind. They were headed for the moon,

302
00:27:45.319 --> 00:27:47.799
but too close to the sun. It's about people who

303
00:27:47.920 --> 00:27:51.079
burn bright and burned out. Close to the Sun is

304
00:27:51.119 --> 00:27:54.519
a reflection on a society split between halves and have nots,

305
00:27:54.839 --> 00:27:58.039
and a reminder that what we ignore doesn't disappear, it

306
00:27:58.160 --> 00:28:00.720
only grows after out.

307
00:28:02.319 --> 00:28:03.480
The streets are empty.

308
00:28:05.160 --> 00:28:09.039
The cause of all this wild exists.

309
00:28:12.079 --> 00:28:13.400
We have never known.

310
00:28:19.440 --> 00:28:20.720
You made me think.

311
00:28:22.119 --> 00:28:31.720
It'd be all right. No more excus nothing left in side.

312
00:28:36.720 --> 00:28:42.400
They're on five two fingers in the wind. They were

313
00:28:42.480 --> 00:28:49.119
headed for the moon, but.

314
00:28:49.240 --> 00:28:56.599
Too close to the sun. Oh too close to the sun.

315
00:29:02.400 --> 00:29:06.559
Simple people left behind.

316
00:29:07.880 --> 00:29:19.519
Year after years, been made no mind, but it's a

317
00:29:19.640 --> 00:29:20.680
damn disgrace.

318
00:29:22.240 --> 00:29:28.359
We let them go, So drive to the bottom. Song

319
00:29:28.480 --> 00:29:30.079
will never know.

320
00:29:36.680 --> 00:29:37.920
Here on five.

321
00:29:39.160 --> 00:29:42.839
Two figures in the will, they were headed for.

322
00:29:43.000 --> 00:29:55.119
The More, the too close to the song, Oh, too

323
00:29:55.319 --> 00:29:56.680
close to the song.

324
00:30:02.079 --> 00:30:08.119
I remember when the times were all right. We were

325
00:30:08.200 --> 00:30:09.200
there for each other.

326
00:30:10.839 --> 00:30:14.279
The people were so long time and I were rolled

327
00:30:14.359 --> 00:30:17.920
at each other. I just want to run it out.

328
00:30:53.559 --> 00:30:55.160
So the bye bye.

329
00:30:56.599 --> 00:30:57.839
Just came and went.

330
00:30:59.519 --> 00:31:06.000
Tickets day, so many last words man.

331
00:31:10.960 --> 00:31:16.680
Here on five two figures in the went, they went

332
00:31:16.720 --> 00:31:28.720
headed for the More. Too close to the sun, Oh

333
00:31:29.160 --> 00:31:51.759
too close to the sun. Oh to close to the sun, Oh, oh.

334
00:31:52.039 --> 00:31:53.960
Too close to the Sun.

335
00:31:58.960 --> 00:32:02.039
This is Diapter you close to the Sun.

336
00:32:03.599 --> 00:32:08.640
In the shadow of the Crew, and.

337
00:32:08.720 --> 00:32:11.880
You're listening to the Vin Man Djvin on Beyond the

338
00:32:11.920 --> 00:32:17.519
Realms of Rock ninety nine point one FM KLBP, Long Beach, California.

339
00:32:21.400 --> 00:32:24.000
I am the Vin Man Djvin and this is Beyond

340
00:32:24.079 --> 00:32:26.079
the Realms of Rock. And that was a brand new

341
00:32:26.200 --> 00:32:29.960
single by Diopter called Close to the Sun, which was

342
00:32:30.039 --> 00:32:34.240
released on January thirteenth, twenty twenty six. And in going

343
00:32:34.359 --> 00:32:39.839
through Diopter's songs, many of them are thought provoking and introspective,

344
00:32:39.960 --> 00:32:44.559
which I dig. But with this guy's talent, I'm so

345
00:32:44.799 --> 00:32:49.720
looking forward to hearing whatever fast paced, upbeat tunes he's

346
00:32:49.799 --> 00:32:53.799
working on. Something just with a great melodic hook and

347
00:32:53.920 --> 00:32:57.279
a soaring sing along chorus with harmonized vocals that just

348
00:32:58.000 --> 00:33:01.400
impels you to roll down the car windows while driving

349
00:33:01.480 --> 00:33:03.640
down the highway and singing out loud.

350
00:33:04.279 --> 00:33:05.680
That's a challenge to you, Diopter.

351
00:33:07.960 --> 00:33:11.599
Up next, we have blind Melon, followed by another classic

352
00:33:11.640 --> 00:33:14.799
Dead tune with the late Great Bob. We're on vocals

353
00:33:15.039 --> 00:33:17.839
and you're listening to Beyond the Realms of Rock on

354
00:33:17.960 --> 00:33:22.640
ninety nine point one F M KLBP, Long Beach, California.

355
00:33:22.680 --> 00:33:40.759
Doesn't kill shit kill, And now tell me why am I.

356
00:33:41.039 --> 00:33:47.799
Loved to.

357
00:33:49.880 --> 00:33:50.200
Stop?

358
00:34:25.639 --> 00:34:30.519
I screened five times across the floor these days the

359
00:34:30.639 --> 00:34:36.880
same sells me. And though its shade, I'm feeling giddy.

360
00:34:37.000 --> 00:34:41.239
I'm wrong and never get in myself down uninvaded door.

361
00:34:42.480 --> 00:34:44.360
So now take a little good.

362
00:34:45.679 --> 00:34:48.199
I'll put it together and I'll do good and ready

363
00:34:48.280 --> 00:34:48.599
for here.

364
00:34:51.000 --> 00:35:01.440
So I guess I see supremes that same I said, just.

365
00:35:01.559 --> 00:35:03.639
Send me say.

366
00:35:05.119 --> 00:35:05.519
Nothing.

367
00:35:05.679 --> 00:35:06.199
They can.

368
00:35:23.440 --> 00:35:40.000
Decide. Now the sad disgust that I can't live, I haven't.

369
00:35:40.320 --> 00:35:41.039
I guess.

370
00:35:45.800 --> 00:35:49.039
I just love blah y'all to sleep, my friends.

371
00:36:16.519 --> 00:36:23.320
Tune in, crack it up for the best variety of

372
00:36:23.480 --> 00:36:25.920
rock in a shot.

373
00:36:33.519 --> 00:36:40.199
Behind rock down in clue ga bag.

374
00:36:46.440 --> 00:36:50.079
It's stop rock the windness.

375
00:36:50.400 --> 00:36:55.159
There's nothing you need to fit like normal chicks, only.

376
00:36:55.199 --> 00:36:57.519
On beyond the realms of rock.

377
00:37:10.480 --> 00:37:14.760
Chucking by the keep scale of ship and keep choking

378
00:37:15.800 --> 00:37:16.239
like like the.

379
00:37:16.639 --> 00:37:23.599
God Man together call messing, lie, just keep chucking.

380
00:37:23.960 --> 00:37:26.400
Cob ball.

381
00:37:33.800 --> 00:37:37.880
Eras of New Anifashion, Markey's out on Main Street, Chicago,

382
00:37:38.000 --> 00:37:38.360
New York.

383
00:37:38.480 --> 00:37:38.920
Be training.

384
00:37:39.000 --> 00:37:40.440
It's all the same street.

385
00:37:41.320 --> 00:37:46.480
Your typical city in technical hang it up and see

386
00:37:46.519 --> 00:37:47.559
what tomorrow bring.

387
00:37:49.280 --> 00:37:54.840
God is God's off from the sheet, confuse the supposed

388
00:37:54.920 --> 00:37:55.920
to do on the.

389
00:37:57.400 --> 00:37:59.639
Yon, God pays me.

390
00:38:00.119 --> 00:38:02.639
Please just let you be.

391
00:38:12.159 --> 00:38:13.800
Most of the guts that should be on the streets,

392
00:38:13.840 --> 00:38:18.039
be a truler. Most of the time they're sitting inclinable.

393
00:38:19.800 --> 00:38:23.880
One of these days, then they gotta get there. Out

394
00:38:23.920 --> 00:38:24.920
of the door and down.

395
00:38:24.880 --> 00:38:25.320
Of the street.

396
00:38:27.559 --> 00:38:33.880
Jack in like the to he got the heel.

397
00:38:35.119 --> 00:38:37.199
Some the gods.

398
00:38:50.239 --> 00:39:06.559
Sometimes lights all shining on me. Other tack the baby casting.

399
00:39:09.719 --> 00:39:14.239
What stee sh mist.

400
00:39:21.480 --> 00:39:22.239
What in the world?

401
00:39:22.239 --> 00:39:26.039
Who never became a sweet jing? She asked her stuggle.

402
00:39:26.119 --> 00:39:27.440
You know she wouldn't be saying.

403
00:39:29.000 --> 00:39:31.719
Living on that made him and seeing him talking.

404
00:39:32.920 --> 00:39:35.440
Full bread and say his ad machine.

405
00:39:36.599 --> 00:39:46.880
Winking got the nadow store, takes time to a place to.

406
00:39:47.000 --> 00:40:00.440
Go to gas, keep talking, sitting him stairs out of

407
00:40:00.480 --> 00:40:01.519
the boats in the window.

408
00:40:02.920 --> 00:40:04.159
Got it. If they're gonna keep the.

409
00:40:04.199 --> 00:40:07.880
Door on you again, I'd like to get some sleep

410
00:40:08.000 --> 00:40:09.079
before I travel.

411
00:40:10.199 --> 00:40:12.559
But if you got oar, I guess you're gonna come in.

412
00:40:14.280 --> 00:40:20.760
Bust it down up the street, shut up like the bony.

413
00:40:21.880 --> 00:40:24.119
Knock down against the warming.

414
00:40:36.800 --> 00:40:41.119
You're sacking hanging around, and you like a travel get tired.

415
00:40:40.920 --> 00:40:44.679
Of traveling you want to settle down. I guess I

416
00:40:44.840 --> 00:40:48.840
couldn't remove your sup time you're out of the door,

417
00:40:49.199 --> 00:40:54.320
out of the horn. Sometimes light all shining on.

418
00:40:58.440 --> 00:41:00.360
Other times the.

419
00:41:04.920 --> 00:41:11.079
Baby what.

420
00:41:13.639 --> 00:41:15.440
Strange chairs.

421
00:41:22.679 --> 00:41:25.159
Jokie, I'm going.

422
00:41:26.440 --> 00:41:28.119
All big to.

423
00:41:28.280 --> 00:41:30.880
Add the long backbone.

424
00:41:31.519 --> 00:41:33.519
Don't catch my bones.

425
00:41:33.280 --> 00:41:34.880
Once against back.

426
00:41:35.159 --> 00:42:25.360
In playing the rock that gives you the nostalgic feels. Yes, yes, yes,

427
00:42:25.719 --> 00:42:29.559
and playing the new stuff that keeps you awake. Wow,

428
00:42:30.159 --> 00:42:34.480
that was different. You're listening beyond the realms of rock

429
00:42:34.880 --> 00:42:36.480
on the new Kobb.

430
00:42:38.280 --> 00:42:40.480
I am the vin Man DJ vinn right here on

431
00:42:40.559 --> 00:42:43.320
ninety nine point one FM KILBP just chilling out on

432
00:42:43.440 --> 00:42:46.639
the beach. And that was a song called Trucking' by

433
00:42:46.719 --> 00:42:49.760
Grateful Dead off their fifth album American Beauty from nineteen

434
00:42:49.880 --> 00:42:54.679
seventy just an undeniable classic. In fact, the song Trucking

435
00:42:54.920 --> 00:42:58.199
was recognized by the United States Library of Congress in

436
00:42:58.320 --> 00:43:02.639
nineteen ninety seven as a National Treasure, and the song's

437
00:43:02.719 --> 00:43:07.320
climactic refrain, which states what a long, strange trip It's been,

438
00:43:07.920 --> 00:43:12.039
has achieved widespread cultural use in the years since the

439
00:43:12.159 --> 00:43:14.760
song's release. And before that, we had a track by

440
00:43:14.800 --> 00:43:18.239
Blind Melon called Toes across the Floor off of their

441
00:43:18.280 --> 00:43:21.840
second album called Soup from nineteen ninety five. Awesome song,

442
00:43:21.920 --> 00:43:23.800
I love that one. I've played before on Beyond the

443
00:43:23.840 --> 00:43:26.599
Realms of Rock, but this is a second and final

444
00:43:26.760 --> 00:43:30.960
album with lead singer Shannon Hoon, who sadly lost his

445
00:43:31.039 --> 00:43:34.559
battle with addiction in nineteen ninety five at the age

446
00:43:34.599 --> 00:43:39.679
of twenty eight. Time now for our second featured brand

447
00:43:39.760 --> 00:43:44.480
new track here on Beyond the Realms of Rock featuring singer,

448
00:43:44.639 --> 00:43:48.679
songwriter and guitarist Matt Adams who goes by the artist

449
00:43:48.800 --> 00:43:53.639
name the Blank Tapes from the new album Lost Weekend.

450
00:43:54.079 --> 00:43:56.840
This is a track called is It Worth It? And

451
00:43:56.960 --> 00:44:00.880
you're listening to ninety nine point one FM KOBP.

452
00:44:20.960 --> 00:44:25.880
Is it worth it? Is it worth your time? Is

453
00:44:26.000 --> 00:44:30.880
it worth it? Are you sad as fine? Is it

454
00:44:31.239 --> 00:44:36.199
worth it? If you never f bit chilled with.

455
00:44:40.320 --> 00:44:40.599
Us?

456
00:44:40.679 --> 00:44:41.599
It worth it?

457
00:44:43.039 --> 00:44:44.719
Is it worth it for you?

458
00:44:45.079 --> 00:44:49.280
If it ain't working for me? Is that what you

459
00:44:49.599 --> 00:44:55.280
want to do? Is it your body? If you're not

460
00:44:55.599 --> 00:44:58.400
doing much your life? Is it worth it?

461
00:44:59.840 --> 00:45:06.800
Is the West fifteen sixth person after all thspens?

462
00:45:07.079 --> 00:45:08.119
Is it worsday?

463
00:45:09.440 --> 00:45:12.760
If the new we see those true?

464
00:45:16.360 --> 00:45:17.599
All it's a West?

465
00:45:19.039 --> 00:45:21.039
It's it really worth the down.

466
00:45:21.400 --> 00:45:28.599
There's nobody understandtill you it it all the doing, it

467
00:45:28.719 --> 00:45:33.400
said Red Rail to say to thy the.

468
00:45:33.519 --> 00:45:46.320
True person, it's good Wesid if the nail.

469
00:45:46.440 --> 00:45:48.880
The stove store.

470
00:45:51.920 --> 00:45:53.639
All was at work in.

471
00:45:54.840 --> 00:46:00.440
It's a wood yell till it's birthday. All you said,

472
00:46:00.920 --> 00:46:03.039
it's it's worth it.

473
00:46:04.360 --> 00:46:32.639
It is worth it, flushing all those repeat songs down

474
00:46:32.760 --> 00:46:45.719
the toilet. Beyond the Realms of Rock, we play different.

475
00:46:47.519 --> 00:46:50.360
I am the vin Man DJ Vin and we definitely

476
00:46:50.639 --> 00:46:53.440
play different right here on Beyond the Realms of Rock.

477
00:46:53.639 --> 00:46:55.920
That was a brand new track by The Blank Tapes

478
00:46:56.000 --> 00:46:58.960
called is It Worth It from the new album Lost

479
00:46:59.000 --> 00:47:02.719
Weekend's January fourth, twenty twenty six. And when I listen

480
00:47:02.800 --> 00:47:05.800
to that song, I totally get grateful dead vibes coming

481
00:47:05.880 --> 00:47:08.639
from that song. So check out the Blank Tapes. I'll

482
00:47:08.679 --> 00:47:11.280
be playing some more of their songs in the future.

483
00:47:11.960 --> 00:47:14.639
Up next, I have a Beyond the Realms of Rock

484
00:47:14.760 --> 00:47:18.719
triple shot, featuring three bands that shared the concert stage

485
00:47:18.760 --> 00:47:23.119
together only once in their careers, in nineteen seventy at

486
00:47:23.159 --> 00:47:26.480
the Temple Stadium concert on May sixteenth, nineteen seventy called

487
00:47:26.559 --> 00:47:29.519
the Super Saturday Rock Festival. It had about ten thousand

488
00:47:29.519 --> 00:47:32.639
people in attendance. Ticket prices were six dollars and fifty

489
00:47:32.719 --> 00:47:36.119
cents per ticket. Dear Lord, let's go ahead and start

490
00:47:36.159 --> 00:47:38.679
off the set with Steve Miller Band. And this is

491
00:47:38.719 --> 00:47:41.239
a track called My Dark Hour.

492
00:48:14.320 --> 00:48:28.480
Seen the.

493
00:48:35.519 --> 00:48:36.880
Same man?

494
00:48:37.920 --> 00:48:38.400
Who?

495
00:48:43.760 --> 00:48:46.119
What's about that standada side?

496
00:48:46.440 --> 00:48:47.519
What about that name?

497
00:48:58.599 --> 00:49:14.880
Stope to something un.

498
00:49:42.440 --> 00:49:43.760
Stopping me way.

499
00:50:45.400 --> 00:50:47.440
Ninety nine point one f M ki ki ki ki

500
00:50:47.559 --> 00:50:48.679
k LBP.

501
00:51:00.239 --> 00:51:11.239
See me here, thank your money? Why can you see

502
00:51:11.480 --> 00:51:12.199
the neighbor.

503
00:51:13.280 --> 00:51:14.599
Makes me sell me?

504
00:51:21.199 --> 00:51:26.360
You can't seen me doing seeing the future of the thous.

505
00:51:32.840 --> 00:51:33.800
Can you hear me.

506
00:51:35.920 --> 00:51:36.039
Right?

507
00:51:36.320 --> 00:51:37.639
How the town?

508
00:51:40.199 --> 00:51:40.440
Yeah?

509
00:51:43.760 --> 00:51:46.679
Can you hear why?

510
00:51:46.920 --> 00:51:56.559
God want me down? You can hear me this one again?

511
00:51:57.039 --> 00:51:59.199
You're a great train coming from a thousand?

512
00:52:20.519 --> 00:52:21.559
Can you hear it.

513
00:52:23.559 --> 00:52:29.039
Saying this song to you? I'm gonna want to tell him.

514
00:52:31.440 --> 00:52:36.079
Can you hear them saying this sting.

515
00:52:38.679 --> 00:52:39.039
Shocks?

516
00:52:42.119 --> 00:52:45.519
When you can't hear me saying you gotta come home

517
00:52:45.760 --> 00:52:47.079
like you fool sta?

518
00:52:53.719 --> 00:52:54.480
Can't say?

519
00:52:59.760 --> 00:53:21.719
I am the vin Man DJ Vinn and I'm interrupting

520
00:53:21.800 --> 00:53:24.000
this beyond the realms of rock Triple Shot, just to

521
00:53:24.039 --> 00:53:27.760
give some context to what's happening here. So, the first

522
00:53:27.800 --> 00:53:29.840
song that we played in the triple shot was called

523
00:53:29.920 --> 00:53:32.159
My Dark Hour by Steve Miller Band that was off

524
00:53:32.199 --> 00:53:36.039
of his Brave New World album from nineteen sixty nine. Now,

525
00:53:36.159 --> 00:53:40.280
classic rock fans will note that in that song you

526
00:53:40.480 --> 00:53:43.880
heard the famous guitar riff that Steve Miller actually repurposed

527
00:53:43.920 --> 00:53:47.679
seven years later for a nineteen seventy seven classic called

528
00:53:47.800 --> 00:53:52.280
Fly Like an Eagle. And on that song, Paul McCartney

529
00:53:52.360 --> 00:53:57.920
actually contributed backing vocals, drums, guitar and bass guitar, but

530
00:53:58.000 --> 00:54:02.239
he's credited on the album as Paul Moon. So interesting

531
00:54:02.599 --> 00:54:05.480
backstory to that particular track. And then as far as

532
00:54:05.840 --> 00:54:07.760
the next song played, it was Jimi Hendrix with a

533
00:54:07.800 --> 00:54:09.599
song called can You See Me, off of his Art

534
00:54:09.719 --> 00:54:13.400
Experienced album from nineteen sixty seven, that was his debut album.

535
00:54:13.719 --> 00:54:16.719
The reason I played those songs is because three bands,

536
00:54:16.840 --> 00:54:20.760
including The Grateful Dead, played on the same stage, and

537
00:54:20.880 --> 00:54:23.639
this was the one and only time that Jimmy Hendrix

538
00:54:24.039 --> 00:54:27.599
and the Grateful Dead played on the same stage together.

539
00:54:28.239 --> 00:54:31.119
And so we're gonna go ahead and finish off the

540
00:54:31.199 --> 00:54:35.519
set here with a Bob We're song from his solo

541
00:54:35.639 --> 00:54:38.719
album Ace. Now, the origins of the album came up

542
00:54:38.760 --> 00:54:41.840
because Warner brother Warner Brothers Records. They said, let's have

543
00:54:42.280 --> 00:54:45.079
the band members cut their own solo records, and so

544
00:54:45.480 --> 00:54:49.159
that year Jerry Garcia released an album called Garcia, Mickey

545
00:54:49.199 --> 00:54:52.079
Hart released an album called Rolling Thunder, and Bob were

546
00:54:52.400 --> 00:54:53.840
released an album called Ace.

547
00:54:54.480 --> 00:54:55.119
But here's the thing.

548
00:54:55.960 --> 00:54:59.920
On this album, Ace by Bob Weir, the backing band

549
00:55:00.519 --> 00:55:04.679
is a Grateful Dead, So essentially it's a Grateful Dead record.

550
00:55:05.039 --> 00:55:08.360
But under the moniker of Bob Weir's debut solo album,

551
00:55:09.039 --> 00:55:11.519
here's a song that's near and dear to Bob Weir's

552
00:55:11.559 --> 00:55:17.280
heart called Cassidy Stupid.

553
00:55:20.199 --> 00:55:22.119
I can tell by the Martin.

554
00:55:27.800 --> 00:55:29.760
Child, Countess treat.

555
00:55:34.199 --> 00:55:36.079
Child found the scene.

556
00:55:39.280 --> 00:55:41.559
What you are, what you are to.

557
00:55:45.599 --> 00:55:47.960
Spaces you were born to.

558
00:55:49.559 --> 00:55:50.239
Borne me.

559
00:55:51.199 --> 00:56:01.679
Cassidy now on the cot her mind, he's in his cabin.

560
00:56:04.960 --> 00:56:07.480
I can tell about the way you smile.

561
00:56:07.280 --> 00:56:14.159
When he's rolling back. Come watch the nighttime with me.

562
00:56:18.079 --> 00:56:26.719
Come go the scorch, crown of green, Oh, tap the tamber.

563
00:56:30.360 --> 00:56:34.360
Clos the gap of the dark, gus in between you

564
00:56:34.599 --> 00:56:34.920
and me.

565
00:56:35.880 --> 00:56:43.559
Cassidy quick meets it and I see her can't go,

566
00:56:43.800 --> 00:56:45.280
throws a coffee pot.

567
00:56:46.559 --> 00:56:47.599
Very goes now here.

568
00:56:47.679 --> 00:56:54.599
She stop scaring Crank.

569
00:56:53.840 --> 00:56:55.760
The bight of the sea, bears.

570
00:56:57.119 --> 00:56:58.800
Scattered, my last wire.

571
00:57:00.280 --> 00:57:02.000
Will be still have my.

572
00:58:09.000 --> 00:58:10.039
Nothing to tell.

573
00:58:21.880 --> 00:58:22.199
Nothing.

574
00:58:42.800 --> 00:58:45.039
You're listening to the vin Man right here on KLBP.

575
00:58:45.400 --> 00:58:48.119
And that was a song called Cassidy off of Bob

576
00:58:48.199 --> 00:58:52.599
Weir's solo album Ace from nineteen seventy two. Now some

577
00:58:52.760 --> 00:58:56.320
have speculated what will Bob Weir's epitaph read?

578
00:58:56.840 --> 00:58:59.480
Will it be? What a long strange trip it's been?

579
00:59:00.320 --> 00:59:02.880
Well Bob Weir he never specified in an exact phrase

580
00:59:02.960 --> 00:59:05.199
for his gravestone, but he did express a wish for

581
00:59:05.280 --> 00:59:08.280
the lyrics from the song Cassidy to be associated with

582
00:59:08.360 --> 00:59:13.320
his passing, and impart those lyrics read quote, faring the

583
00:59:13.440 --> 00:59:16.679
well now, let your life proceed by its own design.

584
00:59:17.239 --> 00:59:20.880
Nothing to tell now, let the words be yours. I'm

585
00:59:21.039 --> 00:59:26.199
done with mine. Faring the well now now, If that

586
00:59:26.440 --> 00:59:30.000
is what Bob Weir wished, then from beyond the realms

587
00:59:30.000 --> 00:59:32.760
of rock, this is the vin Man DJ Vinn saying,

588
00:59:33.480 --> 00:59:43.800
fare thee well now to the legendary Bob Weir, let

589
00:59:48.119 --> 00:59:53.519
Not to tell beyond the realms of God,