Jan. 6, 2026

Show 39: Beyond the Realms of Rock with DJ Vin on 99.1FM KLBP Long Beach, CA

Show 39: Beyond the Realms of Rock with DJ Vin on 99.1FM KLBP Long Beach, CA
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Season 2

Rebroadcast recording of “Beyond the Realms of Rock” with DJ Vin from Monday Jan 5, 2026: Tune in Monday night at 8pm (Pacific) to 99.1 FM KLBP Long Beach, CA or download the KLBP app to listen LIVE. This show features new music by Turnstile and J Mascis as well as music by Ides Of March, The Presidents of the United States of America, Genesis, The Wildhearts, Doug Tuttle, Generation X, Mr. Big, Gravity Kills, The Traveling Wilburys and My Chemical Romance as well as a comedy segment by Bengt Washburn. From classic rock to modern rock, yacht rock to metal, classic punk, post-punk and modern punk, all types of alternative and indie rock, to americana, new wave, darkwave, shoegaze, industrial and goth, funk rock and jazz fusion rock, along with a hilarious comedy segment. Listen to all past radio shows on the “Get The Fluff Out Podcast Network” at www.GetTheFluffOutPodcast.com  and most major podcast platforms. Over the next hour, you’ll experience THE craziest and most diverse mix of Rock music on FM radio today! This really is TRUE freeform radio! So buckle up on our freaky rocket ride TO…. Beyond the Realms of Rock!
 
Fair Use Disclaimer: This show may use some copyrighted materials without specific authorization of the owner, but contents used here falls under the “Fair Use Copyright Disclaimer” under section 107 of the Copyright Act of 1976. Allowance is made for “fair use” for criticism, comment, news reporting, teaching, scholarship, and research. This show is non-profit and for entertainment purposes only and is therefore not monetized. We are simply music fans who are using the vehicle of this show to provide FREE promotion of the music included and we insist on FAIR USE.

Email: Hollywood@klbp.org 

WEBVTT

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Coming off one hour of commercial free rock on ninety

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nine point one FM, the new KLBP.

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Welcome to Beyond the Realms of Rock. I'm your host,

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DJ Vinn. Come on and hitch a ride on this

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journey to explore the full spectrum of rock music across

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the decades. As this show defies the entrench rules of

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traditional commercial rock radio, I'm telling you it's gonna be

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a roller coaster ride of rock music from the classic

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to the eclectic, from deep album cuts to long forgotten

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hits rarely played on the radio today. In fact, you'll

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never know what to expect on this show because I'll

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play just about anything from classic rock to modern rock,

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yacht rock to metal, classic punk, post punk and modern punk,

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all types of alternative and indie rock, to Americana new wave,

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dark wave, shoegaze, industrial and goth funk rock, and a

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fusion rock. Over the next hour, you'll experience the craziest

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and most diverse mix of rock music on FM radio today.

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This really is true free form radio, So buckle up

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on our freaky rocket ride two.

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Beyond the Realms of Rock.

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My name is DJ Vin and yes I am the

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Vin Man, the Vinmeister. The one who creates vinsanes setlists

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that go against the algorithms of traditional rock radio. And

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to all of you listeners one hundred and seventeen countries

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around the world, thank you for joining me on this

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eclectic rock show called Beyond the Realms of Rock. So

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I designed this radio show for those of you who

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like discovering and listening to a variety of rock genres

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because all of us we grew up listening to a

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lot of different styles of music over the decades. But

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I do understand how some people like to stay within

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a specific subgenre of music, and I myself, I go

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through phases of getting stuck within a certain style of

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music as well. But for this one hour week, I

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am giving you the freedom. Yeah, I know that was

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a little dramatic, but.

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I really am.

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I'm giving you the freedom to enjoy discovering a variety

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of music for one hour a week. Then you can

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listen to whatever you want for the other one hundred

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and sixty seven hours of the week. So with that said,

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let's travel back all the way to nineteen seventy and

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here's a track by IDEs of March called Vehicle.

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They were on the front of the Streenger in the

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Black Satana wants to hump inside my car.

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I got just got Kenny.

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I'm a lovable man and.

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I can take it to the nearest star. I don't

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feel the baby.

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I'm taking get it where you want to go.

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I don't feel the warmer.

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Why not? I'm sure you know that I love you.

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Now, y'all need your pick.

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I want to cut down your child like guarding him,

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and you know I love If he wants to be

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a movement stuff, I just to take you to a

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how they move.

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But if you want to stay, he just wants to

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be bar you know.

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What, think you would be assue.

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I don't feel the baby.

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I'm to get anywhere you want to go.

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I don't feel the warmer.

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Why I love you?

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Oh? You know, but I love you. I need you.

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I'll want to come to Baggot Snip wait goding Ilvin.

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You know, I know, oh, I know what you don't know.

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Well of the friendly Streenger in the book Sadan, I

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want to come inside my car. I got pictures tiny,

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I'm a loveable matter singing to the nearest stuff.

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I don't feel the babe.

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I'm to get anywhere you want to know.

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I don't feed the warmer, but I'll show you know.

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But I love you, I need ya head, I want you.

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I'm getting to can thrk God in Heaven, you know.

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And I'm gonna.

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Fear the babe. You know.

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I love you.

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I need you.

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I want to.

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Handion shine rk God in Heaven.

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You know. I love.

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You.

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Brod broad broad Brod Brod Bright Bright Bride Bride Bright

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Bright Broadcasting around the world Beyond the realms of rock.

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We play different.

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Three four three fault.

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Three fall.

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Three falls.

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Oh the senergy came and me back on recons from

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It's such a crude attitude. It's back a rip.

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All the little kids growing up, all the skids.

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You're going Fable and Ross Labla Ross, Dumb and Jean,

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Jean Move, James d Go, Clay Black, Ross, Clay Black, Ross, Ross,

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c Ross, Ross, Fame and Ross, fyl and Ross play

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the Ross.

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Mommy knows, but she ain't don't care.

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She's got worries to.

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Seven kids out a phony young Bear.

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And RNs do.

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All the little jicks with the grandson lipscope.

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Cleblo, Ross, Cleve Rom Ross.

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He's living and singing with the safety.

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Benc Flamlan Ross Ross, Flavorite, Ross Flame Rosne Rise Rise

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Rise Rod.

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I got some records from World War Two. I play

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him just let me Granddad do.

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He was a rockerl To Croke and.

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Ross Yet.

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Ross Playland Ross, Cleveland Rocks, Cleveland Rocks, Cleveland Ross.

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Rocks.

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Welcome back to Beyond the Realms of Rock. I am

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the vin Man DJ Vin And that was a song

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called Cleveland Rocks by the Presidents of the United States

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of America. And I was taken off of a compilation

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album from nineteen ninety eight called Pure Frosting Now Cleveland Rocks.

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It actually is a cover song. Now, the original song

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was titled England Rocks by Ian Hunter as a solo artist.

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He's mainly known as the lead vocalist for Matta Hoopel.

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But this version called Cleveland Rocks was used as a

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theme song for the Drew Carey Show. And before that,

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we started off the show with Vehicle from Ida March,

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taking off their debut album from nineteen seventy. Time Now

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for something brand new, because, as you guys know, on

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every show Beyond the Realms of Rock, I make sure

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to play a few brand new tracks from either an

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established artist or a brand new band, because I love

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finding new stuff and sharing it with all of you.

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So this next song comes from a band who made

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it to the top fifteen of twenty twenty five on

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Beyond the Realms of Rock. Here's a band called Turnstile

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with a track called Birds.

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Bright black b Don't let them brock cr crt finally

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bright bright bright bright bright bright do the fack b

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b bright bright crack?

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Do you side?

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Finally, I can't see yes. Steak bar stop ben U.

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F Finally, I can't see yes. Steak bars stop Benzu.

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Fly though.

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The station with the last best music, Best music.

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I love.

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You're listening to Beyond the Realms of Rock on the new.

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KLBP ninety nine point one f M KLBP, Long Beach, California.

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I am the vin Man, and you're listening to Beyond

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the Realms of Rock. That was a brand new track

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from a band called Turnstile, And that was a song

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called birds ticking off of their fourth album, Never Enough,

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which was their latest album released in twenty twenty five.

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And this is such a cool band, very dynamic. You

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heard it in that song, I mean, just from the

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way it change from the slamming speed. At the very beginning,

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it was like hardcore punk, and then it kind of

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slowed down into this mid tempo, heavy groove, really cool stuff.

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If you haven't heard that album Never Enough, go ahead

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and check it out and you'll you'll be surprised and

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you'll hopefully dig it. Coming up next, we have a

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song from a band who was one of the biggest

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classic rock bands of the seventies going on into the eighties,

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and this song in particular was influenced by a nineteen

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eighty two rap song called The Message by grand Master

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Flash and the Furious Five, and it was simply the

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laughing section of the song. So I'm gonna play a

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little clip of The Message from grand Master Flash and

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see if you can tell what song it influenced before

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I actually play the song.

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So here we go.

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It's not gonna tell those.

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Some times it makes me wonder how about people going under?

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It's not a dundle.

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Sometimes it makes me wonder, how about kill him going under?

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So just from that little clip, that laughing sound that

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you heard, could you figure out what song it influenced. Well,

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I'm not gonna keep you in suspense any longer. Here's

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a track off the self titled album from nineteen eighty

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three from a band called Genesis, And this is a

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song called Mama.

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Kah jus choose Mama?

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Can you way?

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And the jug into choose Mama? A lot of skin

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and keep whirling.

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In the heat and the stead of the.

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Sans got in ba now the judges Kimbrook.

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So say you.

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Got its skin?

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Now?

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Can you choose?

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Choose Mama?

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But I know you are?

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Who is there?

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You listen to me, momma, and I know inside you came.

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She'll get down now will you sun me?

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Oh?

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You ain't going nowhere?

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No, m.

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But it's stay. Can't you sick your mom? Mama?

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Mama?

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No because you feel mom, but count you for Mama.

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Coach you's f ma.

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Oh not a single?

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You drinking away, my last child.

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Don't drink away, Try to fill.

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A try say to.

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You, talk you changes.

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Dream, drink.

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It's a rat le me stadium.

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All the sense of.

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You don't know.

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Can break, so stay trust, So.

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Tune in, crack it up.

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For the best variety of rock.

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You're in for a shot.

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Are Buried, Lad Battler.

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The Stack Cover, the Killing Moon, Oh.

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Well used to take.

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Only on beyond the realms of rock.

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I've tried.

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I'm gonna give myself together, made the kicks dot com

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tail till saying, come in.

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With the hot last time, I side my brain.

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I gotta hang last night.

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I need to go ta.

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Let's just get away. Let's I kind of ra the

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hollow gas makes us gonna win the trick. Conna get

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the com tell me w a trick. I come people,

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cannas can come a break.

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Right, Yeah, you wrong.

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I need a mom. I need to tell me a

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bound to sweet it's just song.

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I need a mom.

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I need to tell me a bound I need a

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mo money to get me a bomb. I need a mom,

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dad a cat, got got t tell me a bound

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over then the sugar around the company and I we'll

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see if I'm bree his mom so my mother sids

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a BALLA got away?

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N shake any will I'm send you any brother? It

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does my body bar said, I want to put my

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money to my grove and he's three too long. I

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need to buy my need to tell me a.

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00:20:27.799 --> 00:20:30.160
Bomb on a bus on a song.

241
00:20:30.359 --> 00:20:32.000
I need to buy my need to get me a bomb.

242
00:20:32.400 --> 00:20:34.039
I need a mama, need to get me in bound.

243
00:20:34.400 --> 00:20:35.720
I need to buy my name a cat.

244
00:20:35.640 --> 00:20:38.839
Cat cat cat, get me a bomb bag over.

245
00:20:38.880 --> 00:20:42.079
So long over pony, and don just send me some

246
00:20:42.240 --> 00:20:44.880
of that on my next I'm shaking telling them something

247
00:20:44.920 --> 00:20:47.119
I had for making over.

248
00:20:47.160 --> 00:20:54.799
So hung over stuff on them.

249
00:20:54.839 --> 00:20:58.880
It can't you see us ship grandmother wits again.

250
00:20:58.960 --> 00:21:03.079
Some may say, jun, I need I need to get

251
00:21:03.160 --> 00:21:07.720
in from the way here. I need to get me bom.

252
00:21:07.839 --> 00:21:09.200
I come into this show.

253
00:21:10.000 --> 00:21:13.519
I'm a brother and the spit the doma with yamaself,

254
00:21:13.559 --> 00:21:16.000
my grands by John, my bro, my god, my head.

255
00:21:16.039 --> 00:21:17.839
There's my other father signed to my medicine.

256
00:21:17.839 --> 00:21:19.400
I always said the kid that he's say heead. I

257
00:21:19.400 --> 00:21:21.160
got to get the bow and let's go.

258
00:21:21.599 --> 00:21:22.319
Let's set me up.

259
00:21:22.599 --> 00:21:25.000
I need to by my need to get me brom Hey,

260
00:21:25.119 --> 00:21:26.359
ray me com.

261
00:21:26.640 --> 00:21:28.200
I need to buy my name to get me bom.

262
00:21:28.640 --> 00:21:30.240
I need to by my name to get me prom.

263
00:21:30.640 --> 00:21:32.559
I need to buy my name cat guy got got

264
00:21:32.680 --> 00:21:33.799
got got got guy.

265
00:21:33.720 --> 00:21:34.400
Got me Bob.

266
00:21:35.039 --> 00:21:39.079
I need tet me Bob. I need a bomb, I

267
00:21:39.279 --> 00:21:42.880
lead a tet me brom. I need a big bum.

268
00:21:52.799 --> 00:21:55.279
I heard of hearing the same songs over and over,

269
00:21:57.079 --> 00:22:01.519
come on not again. I just heard this song an

270
00:22:01.559 --> 00:22:16.079
hour ago, play something different. Please beyond the realms of rock.

271
00:22:16.960 --> 00:22:18.319
We play different.

272
00:22:22.839 --> 00:22:25.920
You're listening to the craziest variety rock show on the planet.

273
00:22:26.000 --> 00:22:28.720
This is Beyond the Realms of Rock with DJ Vinn

274
00:22:28.759 --> 00:22:32.720
on ninety nine point one FM KLBP in Long Beach, California.

275
00:22:32.880 --> 00:22:34.920
And we started off that set with a song called

276
00:22:35.000 --> 00:22:38.920
Mama by Genesis, taking off of their twelfth self titled

277
00:22:39.039 --> 00:22:42.720
album which they released back in nineteen eighty three. And

278
00:22:42.960 --> 00:22:46.359
on the laughing portion of that song Mama, you can

279
00:22:46.440 --> 00:22:49.640
see that it was influenced by the eighty two rap

280
00:22:49.759 --> 00:22:52.640
song The Message by grand Master Flash and the Furious Five.

281
00:22:52.960 --> 00:22:54.799
But what Phil Collins did was he just kind of

282
00:22:54.920 --> 00:22:58.000
slowed it down and he just made it like sinister.

283
00:22:58.200 --> 00:23:01.680
And when I listened to that song from the very beginning,

284
00:23:01.680 --> 00:23:03.279
when I first heard it back in eighty three, it

285
00:23:03.440 --> 00:23:07.440
just was there's this haunting factor, just just kind of creepy.

286
00:23:07.880 --> 00:23:10.559
But I just I loved it and to this day,

287
00:23:10.680 --> 00:23:15.319
I still love that song. The production quality, the drums man,

288
00:23:15.640 --> 00:23:19.799
just a great song by Genesis. And after that we

289
00:23:19.920 --> 00:23:23.160
heard a song called Caffeine Bomb by a band called

290
00:23:23.240 --> 00:23:25.400
the Wildhearts, and that was taking off their debut album

291
00:23:25.599 --> 00:23:28.720
Earth Versus the Wildhearts from nineteen ninety three, and Dude,

292
00:23:28.759 --> 00:23:32.039
I think after that song they needed to drop a

293
00:23:32.119 --> 00:23:35.799
few quayludes, just settle down. Talk about a rip roaring

294
00:23:35.960 --> 00:23:39.240
just you know, fast track, but what a cool song.

295
00:23:39.880 --> 00:23:41.400
So I think that's what we're gonna do. Right now,

296
00:23:41.440 --> 00:23:44.319
We're gonna go ahead, We're gonna kind of settle it down.

297
00:23:44.559 --> 00:23:46.319
I'm gonna ask it to turn on your black light,

298
00:23:46.839 --> 00:23:50.799
put on your headphones, and take some virtual ludes or

299
00:23:51.440 --> 00:23:54.599
virtually drop a small half hit of acid. I mean,

300
00:23:54.960 --> 00:23:57.680
just enough to get you in the lava lamp mood

301
00:23:57.799 --> 00:24:04.640
and enjoy this neo psychedelic soundscape by Doug Tuttle called

302
00:24:05.240 --> 00:24:09.480
Falling to Believe and you're listening to Beyond the Realms

303
00:24:09.960 --> 00:24:10.519
of Rock.

304
00:24:20.480 --> 00:24:46.519
If you want to take some time lastic you can stack?

305
00:24:51.480 --> 00:24:52.279
Can you s.

306
00:25:00.519 --> 00:25:16.799
It takes some time? Find that a watch, can can

307
00:25:17.319 --> 00:25:20.720
take some time? Find bach?

308
00:25:43.160 --> 00:25:53.119
If it's take some time, I could must take your

309
00:25:53.480 --> 00:25:53.920
time to.

310
00:26:00.279 --> 00:26:03.920
Say fay f f.

311
00:26:08.039 --> 00:26:10.319
You can flirst take that time?

312
00:26:14.200 --> 00:26:27.000
Can you say fjny takes some time? And that bach?

313
00:26:30.799 --> 00:26:42.440
Can you say fine the canny take some time? Fair

314
00:26:42.680 --> 00:27:33.480
back James F Jim we take some time find that buch.

315
00:27:36.960 --> 00:27:43.240
Genius to.

316
00:27:45.559 --> 00:27:54.079
Jeremy, take some time find that much Jamius.

317
00:28:03.519 --> 00:28:05.920
We're in the middle of one hour commercial free rock.

318
00:28:06.119 --> 00:28:10.720
I'm beyond the realms of rock right here on KIKKKIKLBP.

319
00:28:12.119 --> 00:28:14.599
I am the vin Man DJ Vin here in Long Beach,

320
00:28:14.680 --> 00:28:17.880
California on ninety nine point one FM KLBP. And that

321
00:28:18.000 --> 00:28:21.799
was a song called Falling to Believe by Doug Tuttle

322
00:28:22.240 --> 00:28:25.279
off of his second album called It Calls On Me,

323
00:28:25.759 --> 00:28:28.759
which he released back in twenty sixteen. Now, if I

324
00:28:28.880 --> 00:28:31.240
told you this song was released in the late sixties

325
00:28:31.319 --> 00:28:35.480
of the seventies, you believe me, because the recording techniques

326
00:28:35.519 --> 00:28:38.799
and the sound production really give it this kind of

327
00:28:38.880 --> 00:28:43.799
hippie neo psychedelic vibe. But it was released, you know,

328
00:28:43.960 --> 00:28:47.359
in twenty sixteen, so it's a modern track, but with

329
00:28:47.599 --> 00:28:50.480
that sixties kind of feel. So I totally dig that one.

330
00:28:51.039 --> 00:28:53.119
I think right now it's the perfect time to go

331
00:28:53.200 --> 00:28:57.480
ahead and tickle our funny bones with a moment of mirth.

332
00:29:02.920 --> 00:29:05.519
All right, It's time for a moment of mirth on

333
00:29:05.720 --> 00:29:08.480
Beyond the Realms of Rock. Because we live in a

334
00:29:08.559 --> 00:29:11.680
world that has a lot of serious issues and tragedies

335
00:29:11.720 --> 00:29:14.240
around the globe, and so if we want to keep

336
00:29:14.279 --> 00:29:21.039
our sanity, we need a little levity each day to cackle, shortle, gfar, giggle, snort,

337
00:29:21.160 --> 00:29:26.359
and howl with uncontrolled outbursts of glee, hilarity and merriment.

338
00:29:27.079 --> 00:29:31.480
So today's moment of mirth comes from banked washburn.

339
00:29:31.759 --> 00:29:34.680
I didn't understand how to be sensitive when I first

340
00:29:34.680 --> 00:29:35.599
started the cruise ships.

341
00:29:35.960 --> 00:29:36.839
I was still pretty young.

342
00:29:36.920 --> 00:29:38.200
It's like my fifties.

343
00:29:40.000 --> 00:29:41.000
Stuff on the stage.

344
00:29:41.119 --> 00:29:42.880
The audience, they're all pretty old. Some of them are

345
00:29:42.920 --> 00:29:43.440
pretty old.

346
00:29:44.920 --> 00:29:47.680
During the show, I made the mistake of saying I

347
00:29:47.839 --> 00:29:53.039
was sort of old, and they got pretty angry me.

348
00:29:54.519 --> 00:30:01.799
He started booing me like boo to the kind of

349
00:30:01.839 --> 00:30:04.079
because they've got a pretty old diaphragm. So it's like,

350
00:30:05.920 --> 00:30:08.240
have you ever been booed by pretty old people? Because

351
00:30:08.319 --> 00:30:09.960
it's pretty scary.

352
00:30:10.839 --> 00:30:16.839
It's more like a haunting, really boo. There's a guy

353
00:30:16.880 --> 00:30:18.559
in front with his snatmis.

354
00:30:21.440 --> 00:30:22.119
Now in his mouth.

355
00:30:22.160 --> 00:30:28.599
He's just letting air out of his oxygen to And

356
00:30:28.680 --> 00:30:31.000
then one lady here on the front said, you're just

357
00:30:31.200 --> 00:30:34.759
a baby. Start calling me a baby. There's the baby.

358
00:30:35.200 --> 00:30:37.440
They bully you.

359
00:30:37.559 --> 00:30:39.559
They do about age, We do this Our whole lives

360
00:30:39.799 --> 00:30:42.960
starts when you're young. First grade called the kindergartener's babies, right,

361
00:30:43.599 --> 00:30:45.559
and it keeps going. All the seventy year old who

362
00:30:45.640 --> 00:30:48.599
called the sixties babies, all the eighties called the seventies babies.

363
00:30:48.680 --> 00:30:49.359
It doesn't stop.

364
00:30:49.440 --> 00:30:50.480
I'm in the dinner table.

365
00:30:51.319 --> 00:30:54.079
There is a ninety four year old lady that called

366
00:30:54.160 --> 00:30:56.960
the eighty two year old man a baby.

367
00:30:57.160 --> 00:30:59.799
Righteous face. I mean, it didn't matter, he couldn't hear,

368
00:31:00.079 --> 00:31:05.880
but she said it looked to me he's just a baby.

369
00:31:06.000 --> 00:31:10.480
I mean, he's not a baby. He is eighty four

370
00:31:10.559 --> 00:31:14.519
years that he is fifty old. Actually he's not a baby.

371
00:31:14.599 --> 00:31:17.359
He's like what, he's four years older than the average

372
00:31:17.440 --> 00:31:23.079
dead man. God, it's not a baby. Do not let

373
00:31:23.160 --> 00:31:24.119
the diaper fool you?

374
00:31:27.079 --> 00:31:29.359
Rocking you on the beach on ninety nine point one

375
00:31:29.519 --> 00:31:44.000
FM kkkkk lbps.

376
00:31:44.160 --> 00:31:55.319
Let again, nice a baby? Their eyes larida operata a shull?

377
00:31:56.279 --> 00:31:58.160
What us?

378
00:32:00.759 --> 00:32:02.640
Why don't you putroll.

379
00:32:06.519 --> 00:32:08.720
All undre un strong web town?

380
00:32:09.079 --> 00:32:10.279
Now won't I'll see each other?

381
00:32:10.480 --> 00:32:12.359
So both sound gon' see both?

382
00:32:12.440 --> 00:32:14.960
We gonna when they both die out?

383
00:32:17.000 --> 00:32:20.839
All Jemma boys to girls, We're taken by steel in

384
00:32:20.960 --> 00:32:27.799
a fding world Tomorrow's saving spaces advertise today that starts

385
00:32:27.920 --> 00:32:35.759
all the back, Say my ju us, why you pa true.

386
00:32:40.079 --> 00:32:42.279
A lunger bun start the gun.

387
00:32:42.640 --> 00:32:44.920
They are so shock they the black one.

388
00:32:45.240 --> 00:32:48.640
If you ain't gonna look y'all never be one.

389
00:32:50.640 --> 00:32:53.160
Hondre p strong to tell sus.

390
00:32:53.279 --> 00:32:54.680
Angere gonna make you know.

391
00:32:54.960 --> 00:32:55.599
Don't trust.

392
00:32:55.920 --> 00:32:59.279
There's never enough father that is, have no fuss.

393
00:33:01.279 --> 00:33:04.759
Shake out, Lady Wolf, what a hundred?

394
00:33:08.160 --> 00:33:09.480
One hundred bouts wo.

395
00:33:19.839 --> 00:33:24.400
Jimmy's number one hundred and one, No Sunday he'll.

396
00:33:24.200 --> 00:33:25.400
Be wolf.

397
00:33:28.200 --> 00:33:33.440
Watch Why are.

398
00:33:41.519 --> 00:33:46.799
You a hundred?

399
00:33:46.839 --> 00:33:47.359
My son?

400
00:33:47.839 --> 00:33:51.720
Everybody I always by my side on a receiving even

401
00:33:51.799 --> 00:33:53.079
went up to hour.

402
00:33:53.279 --> 00:33:54.640
I say full day?

403
00:33:56.960 --> 00:33:58.440
Shake out, Lady Wolf?

404
00:33:59.359 --> 00:34:01.359
What bus?

405
00:34:02.119 --> 00:34:04.119
Who was?

406
00:34:04.640 --> 00:34:16.440
Must check out? That it all?

407
00:34:17.400 --> 00:34:19.239
What bus?

408
00:34:21.920 --> 00:34:22.920
Why don't you cross?

409
00:34:25.199 --> 00:34:26.280
I should tell.

410
00:34:27.800 --> 00:34:28.400
What us?

411
00:34:30.559 --> 00:34:33.320
Why don't you pass?

412
00:34:34.920 --> 00:34:35.320
Okay?

413
00:34:37.960 --> 00:34:39.960
Ninety nine point one f M k k k k

414
00:34:40.079 --> 00:34:40.880
k l b P.

415
00:35:06.800 --> 00:35:15.320
She to us talk God, but she's still time's a

416
00:35:15.559 --> 00:35:17.960
hotelephone ready.

417
00:35:19.079 --> 00:35:22.320
Of the ju skin on back the.

418
00:35:24.159 --> 00:35:31.840
The teaching into her dream time and bring up intends.

419
00:35:31.920 --> 00:35:35.440
Tell Alba, you've been looking.

420
00:35:35.280 --> 00:35:43.920
Through the sixties long baby, till the basting time mills

421
00:35:44.039 --> 00:35:47.559
a baby child having basket.

422
00:35:49.920 --> 00:36:09.280
Be steps. She keeps on vers the way the skin

423
00:36:11.360 --> 00:36:15.519
the le Magna Bay Away.

424
00:36:17.039 --> 00:36:27.760
Chick dream, John bag tupe jap a b's a saying

425
00:36:28.000 --> 00:36:35.679
that is on the way to the bugging side, filling

426
00:36:35.840 --> 00:36:37.880
off the trees, all.

427
00:36:37.840 --> 00:36:39.039
The chicken saints.

428
00:37:00.239 --> 00:37:14.920
Kay, I'm a chill into Atlanta school.

429
00:37:16.400 --> 00:37:20.360
Child. What's the fun of balls?

430
00:37:20.840 --> 00:37:23.599
It's easy as a horse to ride.

431
00:37:30.079 --> 00:37:34.079
At a six years old baby till the rass.

432
00:37:33.960 --> 00:37:40.599
You die, then let baby chile everymbasta.

433
00:38:07.159 --> 00:38:09.800
I am the vin Meister DJ vinn And you're listening

434
00:38:09.840 --> 00:38:13.199
to ninety nine point one FM KLBP in Long Beach, California.

435
00:38:13.599 --> 00:38:16.400
And that was a song called green Tinted Sixties Mind

436
00:38:16.880 --> 00:38:19.840
by Mister Big, taking off of their second album called

437
00:38:19.960 --> 00:38:23.079
Lean Into It from nineteen ninety one. Now, this was

438
00:38:23.159 --> 00:38:27.760
a second single released ahead of their third single and

439
00:38:28.000 --> 00:38:31.079
what many call the defining song of the band's career

440
00:38:31.440 --> 00:38:34.559
according to the general public, and that song was called

441
00:38:35.400 --> 00:38:40.880
I'm the One who wants to be with You. Yes,

442
00:38:41.199 --> 00:38:44.199
it was to be with You and a great song,

443
00:38:44.320 --> 00:38:48.039
I mean, just acoustic ballad. But they have so many

444
00:38:48.159 --> 00:38:51.960
great songs other than that acoustic track that I think

445
00:38:52.079 --> 00:38:54.119
more people need to kind of open up their minds

446
00:38:54.159 --> 00:38:57.079
in regards to mister Biggs music. And before that, we

447
00:38:57.239 --> 00:39:00.840
had a song called one hundred Punks by Generation Acts

448
00:39:00.880 --> 00:39:03.800
taking Off for their debut album from nineteen seventy eight,

449
00:39:04.199 --> 00:39:06.840
and just by those vocals, you should have been able

450
00:39:06.880 --> 00:39:09.000
to hear that that was Billy Idol, that was his

451
00:39:09.159 --> 00:39:11.760
band before he went solo, and that particular album was

452
00:39:11.800 --> 00:39:15.320
recorded in only one week, with many of the songs

453
00:39:15.360 --> 00:39:19.119
on the album being completed in just one take. Anyway,

454
00:39:19.280 --> 00:39:22.000
time for another brand new track of the show by

455
00:39:22.079 --> 00:39:26.960
the founding guitarist and singer songwriter of the band Dinosaur Junior.

456
00:39:27.440 --> 00:39:31.199
This is Jay Masis with a song called say It

457
00:39:31.280 --> 00:39:35.400
On and you're listening to Beyond the Realms of Rock.

458
00:39:48.679 --> 00:40:03.639
Say it, say it water, say it laugh for me,

459
00:40:11.000 --> 00:40:14.719
Lay it over the line, Lay it.

460
00:40:14.880 --> 00:40:18.639
Over the side said to me, you won't give me

461
00:40:18.840 --> 00:40:23.840
the time. You don't know the other line, get me.

462
00:40:24.159 --> 00:40:41.039
Free, lay it on the water, Lay it on track

463
00:40:41.159 --> 00:40:42.159
cause your harder.

464
00:40:44.199 --> 00:40:45.000
Say its time.

465
00:40:52.679 --> 00:40:57.840
Lay it over the line, Say it over time.

466
00:40:57.840 --> 00:40:58.960
It's been to me.

467
00:40:59.599 --> 00:41:04.519
Lay it over the line, way over the line.

468
00:41:05.039 --> 00:41:05.880
Let me be.

469
00:41:13.159 --> 00:41:17.840
All said to me, always said.

470
00:41:17.840 --> 00:41:25.039
To me is fining, allst men me, all spening me.

471
00:41:25.440 --> 00:41:31.960
It's time, always said to me, always said to me,

472
00:41:32.639 --> 00:41:39.559
was lying, all said mean, all sad for me is

473
00:41:39.880 --> 00:41:40.360
try and.

474
00:42:08.719 --> 00:42:09.760
Tell me when.

475
00:42:12.159 --> 00:42:12.639
Tell me?

476
00:42:13.679 --> 00:42:19.320
Sen me out it? All he said to me, Oh,

477
00:42:19.440 --> 00:42:26.840
he said me, was lying, tense all of it?

478
00:42:27.199 --> 00:42:27.679
What was you?

479
00:42:28.079 --> 00:42:34.000
And lied in all stept for me, all the stept

480
00:42:34.159 --> 00:42:34.599
pull me.

481
00:42:35.519 --> 00:42:35.960
Try and.

482
00:42:42.519 --> 00:42:46.960
Say it on the water, Say it on for me,

483
00:42:52.920 --> 00:42:54.239
Say it on the water.

484
00:42:56.280 --> 00:42:56.760
Say that.

485
00:43:10.199 --> 00:43:15.679
Playing the rock that gives you the nostalgic feels, yes, yes, yes,

486
00:43:16.039 --> 00:43:18.760
and playing the new stuff that keeps you awake.

487
00:43:19.559 --> 00:43:21.400
Wow, that was different.

488
00:43:22.280 --> 00:43:24.000
You're listening to beyond.

489
00:43:23.719 --> 00:43:26.760
The realms of rock on the new kobb.

490
00:43:44.360 --> 00:43:50.559
I feel your reflection. But you're a stranger to me.

491
00:43:51.679 --> 00:43:57.480
I saw you staring back. Now you're shadow right next

492
00:43:57.639 --> 00:43:58.159
to me.

493
00:43:59.760 --> 00:44:02.480
Can't you be my enemy?

494
00:44:03.639 --> 00:44:10.119
My disease? Looking through what's left off you.

495
00:44:10.920 --> 00:44:11.920
To hold on to?

496
00:44:17.760 --> 00:44:20.280
Oh? My hand down?

497
00:44:20.519 --> 00:44:27.199
Not not?

498
00:44:27.639 --> 00:44:28.159
But you.

499
00:44:37.440 --> 00:44:40.239
You want to bring my silence?

500
00:44:41.199 --> 00:44:44.639
You know you have too much to loose.

501
00:44:45.039 --> 00:44:47.679
You think that you're so homely?

502
00:44:48.639 --> 00:44:53.719
Do you think you're bringing me into cover.

503
00:44:53.559 --> 00:45:01.679
Of me and misser ray in anything? I'm still here,

504
00:45:02.599 --> 00:45:03.639
You're still here?

505
00:45:03.880 --> 00:45:06.480
And am I still here?

506
00:45:11.079 --> 00:45:14.519
Oh my pat down not down?

507
00:45:15.039 --> 00:45:22.239
What day? Do not you gat?

508
00:45:22.440 --> 00:46:03.159
Frailside?

509
00:46:05.280 --> 00:46:08.239
Things up the left under?

510
00:46:09.400 --> 00:46:17.880
Can you be my anum? Made my disease? Looking through

511
00:46:18.599 --> 00:46:21.280
what's left of you to hold on?

512
00:46:21.480 --> 00:46:30.960
To hold my head down under.

513
00:46:34.880 --> 00:46:38.719
You doun? But you can.

514
00:46:42.519 --> 00:46:52.519
Hold my head down under way, do not?

515
00:46:52.920 --> 00:46:54.239
You can fail?

516
00:47:03.440 --> 00:47:10.639
Rocking You on the Beach ninety nine point one FM KKKKKLBP.

517
00:47:11.840 --> 00:47:14.000
You're listening to Beyond the Realms of Rock with DJ

518
00:47:14.159 --> 00:47:17.159
vinn I am the vin Man And that was a

519
00:47:17.320 --> 00:47:21.159
song called Drowned by Gravity Kills, taking off of their

520
00:47:21.199 --> 00:47:26.360
second album, Perversion from nineteen ninety eight, and their first

521
00:47:26.480 --> 00:47:30.199
album that Gravity Kills released did great for them. I

522
00:47:30.280 --> 00:47:33.639
mean this is obviously, as you heard, it's an industrial rock,

523
00:47:33.760 --> 00:47:37.760
industrial slash metal band. But the second album didn't do

524
00:47:37.960 --> 00:47:39.880
quite as well. And I don't know why. There's a

525
00:47:40.000 --> 00:47:42.800
lot of really cool songs on this album, and I

526
00:47:42.920 --> 00:47:47.480
think Gravity Kills Kills deserves, you know, a second listen.

527
00:47:47.519 --> 00:47:49.599
If you haven't really heard them in many years, go

528
00:47:49.679 --> 00:47:53.280
ahead and check out their albums and I think you'll

529
00:47:53.320 --> 00:47:56.760
be surprised. There's some really strong music that Gravity Kills

530
00:47:56.800 --> 00:47:58.960
put out over the years. And before that we had

531
00:47:59.000 --> 00:48:02.360
a brand new track by Jamesius called Say It On,

532
00:48:02.599 --> 00:48:06.920
and he is the founding guitarist and singer for Dinosaur Junior.

533
00:48:07.119 --> 00:48:10.159
The song kind of sounded a little bit like Dinosaur

534
00:48:10.320 --> 00:48:14.760
Junior esque. But man, what a fantastic melodic, fuzz tone

535
00:48:14.800 --> 00:48:16.599
guitar soloing going on in that track.

536
00:48:17.079 --> 00:48:18.719
I love it up.

537
00:48:18.840 --> 00:48:22.360
Next, we have a song by someone that I just

538
00:48:22.440 --> 00:48:23.000
don't believe it.

539
00:48:23.079 --> 00:48:23.280
Come on.

540
00:48:24.199 --> 00:48:26.920
The guy was only the lead singer of this song

541
00:48:27.079 --> 00:48:29.800
was only forty seven years old when he sang it.

542
00:48:30.159 --> 00:48:33.679
But I swear to God when I when he released it,

543
00:48:33.760 --> 00:48:35.320
I'm looking at the video and I'm looking at it,

544
00:48:35.519 --> 00:48:38.400
he looked like he was sixty seven. I mean myself,

545
00:48:39.159 --> 00:48:42.360
I'm fifty seven now, and I looked younger than he

546
00:48:42.480 --> 00:48:47.559
did when he was forty seven. Anyway, I'm talking about

547
00:48:47.639 --> 00:48:50.000
mister Bob Dylan, and he was in a band in

548
00:48:50.119 --> 00:48:53.519
the late eighties called the Traveling will Berries. This is

549
00:48:53.599 --> 00:48:56.360
Bob Dylan on lead vocals on a track called Tweeter

550
00:48:56.760 --> 00:48:59.079
and the Monkey Man, And you're listening to nine to

551
00:48:59.159 --> 00:49:01.119
nine point one fn kob P.

552
00:49:11.000 --> 00:49:14.400
Tweeto and the Monkey Men were hard up for cash.

553
00:49:15.119 --> 00:49:18.679
They stayed up on nine be silent cocade, the cash

554
00:49:19.440 --> 00:49:20.639
going undercovered.

555
00:49:20.800 --> 00:49:23.239
Couple had a sister named ten.

556
00:49:23.760 --> 00:49:29.079
For reasons unexplained, she loved the monkey Man. Tweeto was

557
00:49:29.159 --> 00:49:33.320
a buscat posse. He went to Vietnam and find out

558
00:49:33.440 --> 00:49:37.800
the hardway. Nobody gets a damn. They know that they's

559
00:49:37.880 --> 00:49:41.679
my freedom, just the Foster Jersey line. So they hopped

560
00:49:41.760 --> 00:49:44.960
into a store in Cartoon Highway in ninety nine.

561
00:49:45.480 --> 00:49:54.199
The walls came down all the way to Hell. Never

562
00:49:54.400 --> 00:49:55.400
saw it they.

563
00:49:55.440 --> 00:49:57.880
Standing, never sawted with the fell.

564
00:50:01.239 --> 00:50:05.800
They undercover cop never like the monkey Man, even by

565
00:50:05.880 --> 00:50:08.679
in childhood he wanted to see him in the can

566
00:50:09.559 --> 00:50:12.360
Charn got married at fourteenth to a rack of cheer

567
00:50:12.559 --> 00:50:15.400
in the bill. She made secret talks of the monkey

568
00:50:15.559 --> 00:50:18.559
men from a mention on the heel. They was out

569
00:50:18.679 --> 00:50:24.000
on thunder road, tweeted at the wheel. They crashed into Fairydise.

570
00:50:24.360 --> 00:50:26.119
They could hear him tire his speel.

571
00:50:26.840 --> 00:50:29.880
They're the good cock pull up and say everyone is

572
00:50:29.920 --> 00:50:30.719
a liar.

573
00:50:31.079 --> 00:50:32.039
If you don't threatener.

574
00:50:32.159 --> 00:50:35.400
Now it's gonna go down to the wire and the

575
00:50:35.639 --> 00:50:41.239
walls all over the hell.

576
00:50:43.840 --> 00:50:47.159
Never saw them withstand, They never saw them win.

577
00:50:47.239 --> 00:50:47.760
They fell.

578
00:50:57.039 --> 00:51:01.880
An ambulance flowed up a straight troop Backlu was behind Tweeter,

579
00:51:02.159 --> 00:51:05.039
tears gone away and mister M's man.

580
00:51:05.840 --> 00:51:09.239
The undercovered cop would lift tied up to a tree.

581
00:51:10.079 --> 00:51:15.079
There's a souvenirs stand by the abandoned factory. Next day,

582
00:51:15.079 --> 00:51:19.280
the undercover cop with a hotneoursuit. He was taking the

583
00:51:19.360 --> 00:51:23.519
whole thing personally. He didn't care about the loot dn.

584
00:51:23.639 --> 00:51:25.960
I told him many times it was you to me

585
00:51:26.119 --> 00:51:30.039
who taught the jersey. I think leg girl, as long

586
00:51:30.079 --> 00:51:31.159
as you don't get caught.

587
00:51:31.760 --> 00:51:37.000
Who lost me? All the way?

588
00:51:37.400 --> 00:51:42.159
Hell, I saw that, I understand thing.

589
00:51:42.360 --> 00:51:43.760
Never saw it with the.

590
00:51:43.920 --> 00:51:56.519
F so plays by rour Way prison. Then ran I

591
00:51:56.719 --> 00:52:00.639
guess the undercover cop and cornered them. Said you didn't

592
00:52:00.679 --> 00:52:02.239
think that this could last.

593
00:52:02.360 --> 00:52:04.599
Day jumped up by the bed. He said it's some

594
00:52:04.719 --> 00:52:07.880
place on her pool. She took a gun out of

595
00:52:08.000 --> 00:52:11.079
the drawer and said it's best that you don't know there.

596
00:52:11.199 --> 00:52:14.280
The cover cop was found face down in a field.

597
00:52:15.079 --> 00:52:17.960
The mocking Man was on the river bridge using Tweeter

598
00:52:18.159 --> 00:52:18.880
as a shield.

599
00:52:19.519 --> 00:52:22.119
Dance sat up to the monkey man. I'm not fool

600
00:52:22.199 --> 00:52:23.239
by Tweeter's club.

601
00:52:23.800 --> 00:52:27.519
I knew it long before he ever became a jersey girl.

602
00:52:27.840 --> 00:52:29.920
Als down.

603
00:52:32.800 --> 00:52:38.320
All the way the hell. Never saw the worker.

604
00:52:38.079 --> 00:52:40.559
Standing, never saw the wood the bell.

605
00:52:49.599 --> 00:52:53.559
Now the town of Jersey City is quieting down again.

606
00:52:54.159 --> 00:52:54.679
I'm sitting.

607
00:52:54.719 --> 00:52:59.079
Then a gambling club called the Lions. Then the TV

608
00:52:59.280 --> 00:52:59.960
center was blue.

609
00:53:00.559 --> 00:53:01.480
They fit up here.

610
00:53:01.599 --> 00:53:02.199
It's gone.

611
00:53:02.760 --> 00:53:05.639
Remember since the night in this show that the monkey

612
00:53:05.719 --> 00:53:09.400
Man was home. Okay, so I thought the batter to

613
00:53:09.559 --> 00:53:13.519
get myself some sun. There ain't no more opportunities.

614
00:53:14.079 --> 00:53:15.360
Everything be done.

615
00:53:16.159 --> 00:53:19.719
Sometimes I think of Tweeter, Sometimes I think of Jane.

616
00:53:20.239 --> 00:53:23.760
Sometimes I don't think about nothing but the Monkey Maid.

617
00:53:24.599 --> 00:53:26.280
The Walls team now.

618
00:53:29.199 --> 00:53:34.920
All the way now, never saw that was just standing,

619
00:53:35.199 --> 00:53:39.239
never saw them with the felt the walls game down

620
00:53:42.239 --> 00:53:47.880
all the way the now. Never saw that on the stand.

621
00:53:47.960 --> 00:53:49.119
They never saw that.

622
00:53:49.239 --> 00:53:50.440
With the felt.

623
00:54:20.360 --> 00:54:23.800
Flushing all those repeat songs down the toy.

624
00:54:28.519 --> 00:54:30.440
In my REI.

625
00:54:32.280 --> 00:54:35.760
Beyond the realms of rock, we play.

626
00:54:35.760 --> 00:54:57.559
Different sad line in which.

627
00:55:01.320 --> 00:55:11.280
A fad within me, God of channels was just poking

628
00:55:14.039 --> 00:55:16.360
the secure shot.

629
00:55:18.239 --> 00:55:19.000
Dings of.

630
00:55:21.880 --> 00:55:26.920
Leaving nothing ever coming home, never coming home.

631
00:55:28.760 --> 00:55:29.039
Show.

632
00:55:31.360 --> 00:55:33.760
I'm saying that never revers on me.

633
00:55:34.400 --> 00:55:44.760
Coushie Jezos sill and showing.

634
00:55:49.400 --> 00:55:55.000
And timing bel Now that's a sack of my lungs

635
00:55:55.159 --> 00:55:56.239
in my arms.

636
00:55:56.320 --> 00:56:00.079
Shirt shirt.

637
00:56:04.039 --> 00:56:13.280
Last Awa jump, never jumping up jump.

638
00:56:14.760 --> 00:56:24.280
Shot say exacting, never let baby that, never got to jumpy,

639
00:56:24.760 --> 00:56:26.440
never jumping up jump.

640
00:56:27.920 --> 00:56:35.679
Shots at a lever jock sud jack sat, never gone

641
00:56:35.719 --> 00:56:36.360
to jack.

642
00:56:39.360 --> 00:57:24.519
A fil a film, lapping and drops lap, shopping down

643
00:57:24.719 --> 00:57:28.880
now chopping at home, never chopping how now jot.

644
00:57:28.719 --> 00:57:32.280
At home, and all the times that you never let

645
00:57:32.519 --> 00:57:33.000
tell me.

646
00:57:33.800 --> 00:57:46.440
Outside that, never shopping home chop never got.

647
00:57:51.480 --> 00:57:53.000
Ladies and gentlemen.

648
00:57:53.039 --> 00:57:53.679
Here it is.

649
00:57:55.679 --> 00:57:58.800
It's the hottest mixtape in the world, the best mix

650
00:57:58.880 --> 00:58:00.599
of Rocks d Jason Rocks.

651
00:58:00.880 --> 00:58:02.159
I love listening to the Vin Man.

652
00:58:02.280 --> 00:58:05.559
Beyond the realms of rock, women, beyond the realms of rock.

653
00:58:06.239 --> 00:58:09.079
The radio station you can call your own.

654
00:58:10.920 --> 00:58:16.039
Ninety nine point one FMKKKLBP all right. That was a

655
00:58:16.119 --> 00:58:19.199
song called the Ghost of You by My Chemical Romance

656
00:58:19.440 --> 00:58:21.840
off of their second album Three Cheers, So Sweet Revenge

657
00:58:21.880 --> 00:58:24.440
from two thousand and four. I love that track. And

658
00:58:24.519 --> 00:58:27.039
before that, we had Tweeter and the Monkey Man by

659
00:58:27.159 --> 00:58:30.239
the Traveling Wilbrari's off of their debut album from nineteen

660
00:58:30.320 --> 00:58:32.480
eighty eight. That does it for me. I am the

661
00:58:32.559 --> 00:58:34.519
vin Man, DJ Vin and I want to thank you

662
00:58:34.599 --> 00:58:37.760
for joining me. To experience the craziest and most diverse

663
00:58:37.920 --> 00:58:40.159
mix of rock music on FM radio today.

664
00:58:40.920 --> 00:58:46.519
This is beyond the realms of rock